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Product Reviews

BOSE L1 Compact Review

Leveraging Bose’s Spatial Dispersion loudspeaker technology, the Bose L1 Compact spits out sound evenly and consistently. It’s incredibly light, but that never diminishes its ability to produce phenomenal sound. With its integrated 2-channel instrument/microphone mixer, you will never need an external mixer.

Best of all, the system’s proprietary Articulated Array Technology delivers 180 of usable horizontal coverage. That ensures your audience hears the sound super clearly no matter where they are in the room.

The L1 Compact is ideal for business presentations, classrooms, weddings, and musical performances. Whether you’re a teacher, a songwriter, or a musician, the Bose L1 is a great fit.

Here is the full Bose L1 compact review

Specs and Features

  • Product dimensions: 17″(Height) x 16″ (Depth) x 13″ (Width)
  • Weight: 29 lbs.
  • Power source: Standard IEC AC cable
  • Setup positions: Extended position (78.5″ H), Collapsed position (16.5″H)
  • Proprietary ToneMatch presets
  • Enclosure: Durable polypropylene cabinet material.
  • Inputs: One microphone XLR input on channel 1, One instrument input on channel 2, One RCA stereo input, One 1/8″ stereo input.
  • Outputs: 1/4″ balanced line out on the rear panel, 1 RCA stereo output.
  • Mixer: 2 channels.
  • Integrated class-D power amplifier
  • Spatial Dispersion loudspeaker technology
  • Speaker drivers: Six 2” drivers; One 8″ bass speaker

Product Design and Build

There’s only one way to describe the Bose L1 Compact system: a small package that delivers BIG sound. The system is quite small, it can fit into your car’s trunk or backseat. Actually, you could fit in 2 or 3 Compacts in the trunk! It is arguably the best lightweight PA speakers you can find.

The unit brings together conventional PA and monitors into a sleek product that’s unbelievably easy to carry. At just 29 lbs., the product is one of Bose’s smallest and lightest systems.

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Innovative Design Birthed by Precision

The system features an innovative modular design. The design makes the product the easiest to use L1 system ever. You need less than one minute to get it working and kicking your performance into gear.

The system’s enclosure is constructed using durable polypropylene cabinet material. This vertical enclosure contains six small drivers placed with great precision at carefully calculated angles. These drivers lend support to the system’s Spatial Dispersion loudspeaker technology.

The combined effort ensures everyone receives high-quality sound dispersed evenly across the entire room. In short, everyone gets to enjoy the Bose sound experience regardless of their location in the room.

Very Easy to Carry and Set Up

One thing sets the Bose L1 Compact system apart from most other systems. The difference is in how incredibly easy it is to carry and set up. You won’t ever need assistance carrying it from the car into the performance room.

What’s more, you won’t waste precious time handling endless cable connections. Nor you need to spend time doing audio tests to get the perfect sound thanks to Bose’s ToneMatch presets which provides you with the best audio settings. Additionally, whether your event needs a collapsed position or an extended one, you need very little time for setup.

Unique Setup Positions

The unit offers two unique setup positions giving musicians or other users increased flexibility and options. This feature lets you sculpt sound coverage that is perfect for your audience.

If the gathering or meeting is rather small, you’ll most likely position your system on a tabletop. As you do that, the array remains in its slot on the power stand.

But what if your audience is quite large? That’s when you elevate the array using the included loudspeaker extensions.

Built-in Mixer

The system comes with a 2-channel mixer. The mixer is found at the back of the unit’s power stand. And that’s also where all the controls are.

The first channel features an XLR input for a vocal mic. The other channel carries a ¼” input for your guitar. The second channel also supports stereo RCA inputs. The inputs allow you to connect to a laptop or iPod. That means you can play music in between sets. Or play backing tracks.

Bose L1 also included pre-configured presets for an acoustic guitar and vocal mic so you won’t need to tweak them. This reduces setup time considerably, and that means your audience can start enjoying your message or music almost immediately.

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L1 Compact’s Integrated System

The system comes with an integrated power amplifier. Thanks to the amp, you get clean, precise amplification that adds to the overall sound quality.

Also, the Bose L1 Compact features a power stand that carries an integrated amplifier and bass speaker. For that reason, the user doesn’t need to have a separate mixer, amplifier, or bass cabinet.

Sound Quality

Most people find it hard to believe that clear and loud sound emanates from such a small system. If you have two L1 speakers in a room packed with about 300-400 people, everyone would hear the sound clearly.

The sound is not only clear but also of superior quality. Pretty much everyone who buys this PA system greatly enjoys pushing it to its limits at gigs.

The unit comes equipped with Bose’s proprietary Spatial Dispersion loudspeaker technology. Working hand-in-hand with the system’s slim loudspeaker, this technology gives about 180 of horizontal sound coverage. Thanks to this capability, the speakers generate high-quality, crystal clear and even sound throughout the room.

Sure, its loudspeaker array is smaller than what the L1 Model I and L1 Model II systems use, but that doesn’t mean the system is disadvantageous. The horizontal sound coverage the L1 Compact delivers compares closely to what you get from either of these larger alternatives.

Pros

  • Able to project even in a large auditorium.
  • Very easy to set up.
  • Incredibly light.
  • Very few cables to connect.
  • High-quality sound that evenly permeates the room.

Cons

  • A bit pricey
  • 2-channel mixer is too limited.
  • It doesn’t include sound effects.
  • Controls positioned at the back of power stand
  • It could be too loud If you are standing in front of it.

Most people marvel at this system’s ability to project sound across large spaces. Everyone in the room enjoys the sound at the same quality level; it doesn’t matter whether they’re at the front or at the back of the room.

Unlike most other systems, the controls for this unit are positioned at the back. Having to go back and forth to operate them doesn’t feel particularly nice. But it’s unlikely you’ll need to keep making adjustments.

To increase the number of input channels you can easily connect a small mixing console like the Yamaha MG10XU or the Mackie PROFX8V2. Both have enough channels and sound effects for a small band or music group.

Bose recommends the T4S ToneMatch and T8S ToneMatch mixer, the first is a 4-channel mixer and the other is an 8 channel mixing console. The beauty of the two mixers is that they have presents for most microphones available in the market providing you with the best possible equalization so that your L1 Compact sounds at its best. It also features a powerful digital signal processing (DSP) engine that includes a large library of effects and audio processors that will make you sound great.

As for volume that feels too loud onstage, you can easily address that. Position the system beside you rather than behind you. To determine the positions that work best for you, you’ll have to experiment a bit with your unit.

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Value and Price

When you open the box, you get a high-quality L1 Compact power stand. You also get a cover for the power stand/loudspeaker array. There’s also a loudspeaker array, extensions, and a carrying bag for the extensions. In addition, you get a power cord.

The unit’s a little pricey but considering the amount and quality of sound you get, the cost is justifiable. Also, since setup takes less than a minute, you’ll save tons of time in the long run. And being able to carry the system to your gig without help makes you feel independent and in charge.

Final Thoughts

If money isn’t an issue for you, the Bose L1 Compact is a PA system I’d highly recommend. The system gives you and your audience a very high-quality sound that gets evenly distributed to the entire space. If you’re a one-man-band who travels a lot, this would be a perfect fit. The system needs less than a minute to set up and about the same amount of time to break down. Overall, the Bose L1 Compact is a great product. It’s something

JBL EON ONE PRO Review

When a musician who’s mastered their craft leverages the JBL EON ONE Pro, the crowd goes wild. The clarity and sound quality that emanates from this PA system never fails to mesmerize the audience. People who stand near this all-in-one rechargeable PA solution don’t get overwhelmed by its sound, and those standing 30 – 40 feet away from it hear the sound well.

The JBL EON ONE Pro is portable, looks great, and is easy to set up. This unit is the first “easy to carry with one hand,” battery-powered PA system in its class. Moreover, it is the winner of the 32nd Annual Music & Sound Awards for the best speaker of 2017.

Here is the full JBL EON ONE pro review:

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Specs and Features

  • Dimensions: 15.8″ (Depth) x 10.5″ (Width) x 23.4″ (sub) Spacers and speaker (61.5″ to 80.5)
  • Weight: 37.5 pounds / 17 Kg
  • SPL output (max): 118 dB peak
  • Speaker drives: 6 x 2″ HF drivers, 8″ subwoofer
  • Inputs: 2 Hi-Z inputs, One RCA input, One 3.5mm jack, 4 combo 1/4/XLR inputs
  • Outputs: RCA output jacks, 1 XLR pass-through
  • Amplifier: Class D amp
  • Total power: 250W
  • Frequency response: 45Hz-18kHz
  • Battery-charged via standard IEC AC cable
  • Included: 1 Rechargeable lithium-ion battery
  • 7-channel mixer with integrated effects
  • Built-in accessory mount
  • Bluetooth-enabled
  • Effects: Reverb
  • EQ: Treble, bass (Channels 1-4)
  • Built-in phantom power
  • Ergonomic handle

Design and Build

The JBL EON ONE Pro features a lightweight, compact, versatile design. It’s an all-in-one, battery-powered, 7-channel PA solution with phantom power.

It’s smaller, narrower, and sleeker than its predecessor — the JBL EON ONE. Its compact design lets you quickly set the unit up, thus saving lots of time. Also, packing the high-frequency unit and spacers into the unit’s base is an activity you can do in seconds.

Thanks to the system’s ergonomic handle design, carrying it to the stage is a one-hand affair.

The enclosure is made of Polypropylene, a strong very durable material. The grille is made of perforated steel with protective Powder-coated paint.

Setting it Up

Setting up or breaking down this PA system takes seconds. You’ll need to make only one trip from your car. Once you reach the stage, simply slide the high-frequency unit and spaces into place and start playing. After the performance, collapse the unit into its base and say goodbye. It’s that simple and easy.

Powering the System

The system runs on a rechargeable lithium-ion battery. At half the volume, the JBL Eon One Pro can provide up to 6 hours of playtime. But at higher volumes, that’s not what happens in reality.

Judging from what I’ve seen, the battery provides something like 3.5 to 5 hours of playtime depending on the volume you set. Still, lots of people love the fact that this portable, phantom power-packed PA system is battery-powered.

Sound Quality

The system is powered by a class-D amplifier that delivers 250W of power. Without a doubt, the unit disperses optimized JBL professional sound, and everyone in the room hears each passing note. Your audience also gets to hear you from all angles. The unit’s high-quality sound coupled with its consistent directionality is no accident. It happens because the system optimizes each driver’s spacing to achieve this.

Moreover, the system’s streamlined 7-channel mixer offers all the features and effects you’ll ever need to produce perfect sound. Here’s what the mixer lets you do. You can plug your electric guitars alongside other instruments you may prefer into the unit’s Hi-Z inputs. Also, you can plug in your professional condenser mics and mesmerize the crowd with the system’s +48v phantom power.

The 4 combo XLR inputs, RCA inputs, and 3.5mm jack let you connect to any source you fancy. And the controls for bass, treble, and reverb are there for a reason. They help you tweak the tone until you get a rich, lean, and clean version of it.

Planning to perform before a larger audience but still want to stay loyal to JBL? No worries. Simply turn to the unit’s pass-thru input and connect to a second EON ONE Pro. That’d boost the sound’s volume phenomenally.

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Bluetooth and Built-in USB Port

With this option, you never have to worry that your smartphone’s battery might get drained. JBL thought about that and did something. They threw in a USB port so you stay charged up at all times.

And what will your audience do during breaks? The Bluetooth option answers this question best. Simply stream audio from your phone or tablet and keep the crowd busy. Use the Bluetooth connectivity to stream your backing tracks as well.

Built-in Accessory Mount

This linear-array PA solution comes with a built-in accessory mount that helps you do two important things. One: you can easily add lighting effects to improve the overall quality of your performance. Two: you can attach a camera and capture every dynamic moment of your show.

Value and Price

The unit’s price point might get you thinking hard before forking over your money. You may wonder if the deal is the greatest your money can clinch?

Well, here’s what you get in the box:

  • EON ONE Pro base
  • Column speaker array
  • Power cable
  • 2 spacers
  • Warranty for the speaker (5 years limited), amplifier (3 years), and cabinet (2 years)

The system works pretty well for people who mainly perform in small to medium size events. Anyone who performs at weddings, small private parties, or church events will definitely love it. It is a great buy for a solo musician who performs for small and medium crowds.

It’s hands down the best all-in-one portable PA solution for when your audience needs high-quality, crystal clear sound that doesn’t overwhelm them. You’d be hard-pressed to find a portable, battery-powered, line-array system that offers all of these awesome features at this price range.

Pros

  • Set up is quick and easy.
  • Lightweight — portable.
  • Compact, versatile design.
  • 6 hours of battery playtime.
  • Crystal clear sound.
  • Bluetooth streaming.
  • A built-in USB port.
  • Looks terrific.

Cons

  • Relatively heavy compared to other models.
  • The battery may not last up to 6 hours depending on set volume.
  • Not enough power and SPL for large audiences.
  • Rolling case not included.
  • Pricey.

Certainly, the product isn’t among the lightest PA systems JBL makes. It’s heavier than a few comparable units I’ve seen. Still, it’s relatively easy to carry. It comes with an ergonomic handle that lets you move the whole system with one hand.

Some people have pointed out that the battery isn’t as good as JBL would have us believe. So, there’s a good chance you won’t get a solid 6 hours of playtime. You’ll see more like 3.5 – 5 hours. But is that so bad? Definitely not a deal-breaker.

The unit is a great performer that produces crystal clear sound for small to medium audiences up to 150 people. But it doesn’t seem to give enough power for larger audiences. If you frequently perform for happy, noisy revelers, you’d find that the unit really struggles to subdue the noise. But you can always pair it up with another system for a more vigorous performance.

What about the price? It is a bit on the higher end of the pricing spectrum as all other JBL products. For now, people who love the renowned JBL professional sound appreciate its superior quality and do not mind buying the unit. JBL is undoubtedly a world leader when it comes to building high-quality speakers. And it’s a fact that their products are superior to most others.

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Final Thoughts

The JBL EON ONE Pro packs a punch for attendees of private parties, small corporate events, and weddings. For larger crowds, you may probably have to pair this JBL option with some other system.

It’s portable, battery-powered, and offers built-in phantom power. It also provides a built-in USB port for charging your mobile devices. It’s Bluetooth-enabled so you can effortlessly stream your music to keep your audience engaged between sets.

Most importantly, it delivers crystal clear highs and deep bass that keeps the entire room saturated with beautiful sound. I’d recommend this solution over and over. The product is great, the quality is perfect, and the price is just right.

JBL EON208P Review

Looking for a sophisticated, incredibly portable PA system that enables you to deliver legendary sound quality almost effortlessly? Look no further than the EON208P portable PA system. Fully equipped with an intuitive 8-channel mixer and 300W speakers, the system guarantees you’ll always get heard loud and clear.

Are you a mobile DJ, a musician, or a small acoustic band? If yes, you need the best portable PA system for live music you can afford. And you’ll find this unit a “hard to walk away from” deal.

In this product, modern acoustic science, the latest cabinet materials, and advanced waveguide technology come together to form a stunning system.

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Features and Technical Specs

  • Maximum SPL capacity: 121 decibels at peak
  • Built-in DSP limiter for sound optimization
  • Frequency range (-10 decibels): 60Hz- 20 kHz
  • Frequency response (+3 or -3 decibels): 70Hz – 18 kHz
  • Amplifier design: Class D
  • Total power: 2 X 150W speakers
  • Channels: 8
  • Inputs: Channel 1-4: XLR/1/4″ jack combo connectors, Channel 5-6: one pair of 1/4″ balanced TRS jacks (stereo), and one pair of RCA jacks (stereo) , channel 7-8: one pair of 1/4″ balanced TRS jacks (stereo), and a 3.5 mm stereo jack
  • Outputs: Monitor Out: one pair of RCA jacks (stereo), and one pair of 1/4″ balanced TRS jacks (stereo) 3.5mm stereo jack. Subwoofer Out: 1/4″ balanced TRS jack
  • 36mm pole socket for easy mounting
  • Handles: 1 on top
  • Weight: 38.8 lbs.
  • Coverage system: 100° x 60° vertical
  • AC input: 90-115V, 210-240V 50/60 Hz
  • Size: 22.6″ (Height) x 30.5″ (Width) x 15.7″ (Depth)
  • Bluetooth connectivity
  • Versatile enclosure: Supports both pole mounting and ground stacking

Design and Build Quality

The JBL portable PA system features a compact suitcase-style design. It is made of top-quality polypropylene which is a very durable cabinet material, and you can rest assured it’s the kind of product that lasts the test of time.

The system comes with a handle on the top that makes it very easy to carry. At only 40lbs when encased, you can easily carry it with one hand. The design lets you attach the two 150W speakers to the intuitive 8-channel mixer easily and quickly.

The unit looks great whether you’re presenting to a church, a meeting, an event, or a classroom. JBL has been researching and designing PA systems since the late 1940s. And as you might expect, they’ve got their expertise down to an art form.  Sure, the unit has its little flaws. But there are legions of performers out there who can’t wait for the next JBL product.

Built-in Storage

The unit provides ample built-in storage for your power cable, speaker cables, and mics. It packs up neatly into an easy to handle and carry package for performers with limited car room.

Controls

Each channel has three controls: bass, treble, and reverb and for channels 1 through 4 it provides phantom power, ideal for condenser microphones. The design features a clean layout, and the control knobs are big enough and easily accessible even when the place you are in is dimly lit.

Sound Quality

Sound quality is obviously the most critical factor to consider when it comes to picking a PA system. So how good is the EON208 in this parameter? 

In all honesty, the sound quality of the system will amaze you. Well, the EON208P probably isn’t the greatest speaker in the world, but the sound is really, really good. The unit has a class D amplifier that joins forces with the 8-channel mixer, blasting out detailed, pure, crystal clear sound.

It’s the sort of sound that would enliven the spirits of even the most bored fans. If you’re looking for a system that lets you get heard loud and clear, this PA system is the real deal.

Functionality

The unit’s clean, suitcase-style design allows for easy, neat, and quick setup. You can stack your unit on the ground and ready it for performance in minutes. Alternatively, you can mount its power-packed speakers on its 36mm speaker pole and roar into action.

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Bluetooth Connectivity for Convenience

Paring the unit with Bluetooth is seamless and quick. Thanks to this feature, you can stream backing tracks or entertain your audience with pre-recorded material. You can stream audio straight from your smartphone, tablet, or any other Bluetooth streaming device.

It’s a particularly useful feature, especially when you’re packing up, but still want your audience to stay entertained. And if you’re the sort of performer who wants to join the crowd on the floor, you’ll do just that thanks to Bluetooth connectivity. It lets you control your system hassle-free.

The 8-Channel Mixer

The system comes with an intuitive 8-channel mixer. It’s a detachable component that easily connects with guitars, mics, among other sources of sound. The feature places enormous power and flexibility into the hands of the user. It enables one to fine-tune the sound to perfection.

Value and Price

The unit isn’t exactly cheap, but you’d be hard-pressed to find a unit with the same features at that price point.

For your money, you get two 150W speakers, an intuitive 8-channel mixer, power and speaker cables, and one AKG mic. It’s a great buy for anyone looking to entertain small groups of about 75 people or even more.

Sure, the included mic isn’t perfect. In fact, you’ll probably want to use a different one. But even when you factor in the additional cost, the unit is still reasonably affordable. However, if you need to use four mics, the additional cost may increase significantly.

Given the product’s sound quality, convenience, portability, and ease of use, you won’t rue your decision. 

Pros

  • Excellent sound quality.
  • Easy to carry.
  • Very easy setup.
  • Quick setup.
  • Packs up quickly and neatly.

Cons

  • The storage compartment may not be large enough to store long cables or wireless receivers.
  • JBL should upgrade their speaker cables for better quality cables.
  • The included AKG mic is not great.
  • No user guide.

Luckily, addressing these issues isn’t hard or prohibitively expensive. High-quality cables can be obtained cheaply. And a small band that needs to use four better-quality mics may obtain them at a reasonable price.

Frankly, forking over additional money doesn’t feel great. But you’ll end up with top-notch products that further elevate the greatness of this PA system.

As for the user guide, you most likely won’t need it. But you can access the manual on the JBL website.

User Reviews

The vast majority of users of this all-in-one PA system praise the product. As of this writing, 78 percent of verified users on Amazon have rated the system 4 or 5 stars. Some users even say clients sometimes request them to crank the volume down a bit.

But not everyone feels the product is perfect. Quite a few people feel the quality of the speakers’ cables isn’t where it needs to be. They’d love to see 14-gauge cables and not the current 18-gauge ones. Also, some users think the included mic isn’t what they deserve.

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Final Thoughts

The Bluetooth-enabled EON208P PA system with an intuitive 8-channel mixer is perfect for performers who value convenience and excellence. Simply put it in your car and speed off to the venue. Upon arrival, quickly set it up and start entertaining the crowd. It literally is as easy as that.

With this product, your audience will always get perfect-quality sound. Whether you’re a soloist or are a small acoustic band, you’ll really love the EON2028 P PA system. Check it out on Amazon today.

Best Cheap Electric Violin

The violin is one of the oldest string family instruments in existence today. Also known as a fiddle, this instrument traces its roots way back to the 1530s, as suggested in paintings by Italian artist, Gaudenzio Ferrari.

Although it only has four strings, the soothing, acoustic sounds produced by the violin can make even the most rigid individual go into a musical trance. The harmonious melody not to mention the symphony of the violin is simply exceptional. It is therefore not surprising that this instrument remains quite popular with artists and music lovers alike.

Although classical acoustic violins are still very popular, the electric version continues to gain prominence because its sound can be modified to fit many different music styles.

This post presents to you the top 3 best cheap electric violins that give you the best value for your money, plus I explain everything you need to know when shopping for electric violins.


The Best Cheap Electric Violin

The best affordable electric violins in the market today are:

  1. Bunnel Edge Electric Violin from Kennedy Violins
  2. Cecilio 4CEVN Electric Silent Violin
  3. Yamaha YEV104 Electric Violin

 Read on as we take a look at the top 3 inexpensive but high-quality electric violins that will meet or exceed your expectations.


1. Bunnel Edge Electric Violin from Kennedy Violins

Whether you are a professional violinist or an amateur inductee, the aesthetics of the Bunnel violin will leave you in awe from the moment you set your eyes on it. The violin consists of a solid maple body complemented with high-quality ebony fittings. Moreover, it comes with a premium pickup coupled with a pre-amp component that guarantees high-quality sound.

What is more surprising is that you do not have to setup the violin before playing because the final assembly and setup is done by experienced luthiers from Kennedy violins in Washington state. This allows you to start playing your favorite melodies as soon as you remove the violin out of its case.

Kennedy violins offer great customer service in the U.S. with a 45-day money-back guarantee if you don’t like your instrument. Also, each electric violin they sell has a lifetime warranty providing great confidence to their customers.

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Features

  • Volume and tone controls are placed on the face of the instrument for easy adjusting while performing on stage.
  • It includes a 1/4-inch output jack for amplifier connection and a 1/8-inch output jack for headphones.
  • It comes with preinstalled D’Addario Prelude Strings.
  • The bow is made from Brazilwood with real horsehair.
  • It comes in three awesome colors: Rock Star Red, Jet Black, and Bombshell Blue.

Pros

  • Handcrafted with solid maple body, 100% ebony fittings.
  • Comes with a durable piezo-ceramic pickup
  • Features premium electronics.
  • Assembled by experienced luthiers from Kennedy Violins
  • Good value for the quality
  • Very affordable

Cons

  • The bow is beginner rated, meaning that it might not be ideal for professionals

What’s Included in the Package

This e-violin comes with everything you need to start paying: mini-amplifier, headphones, ¼ inch audio cable to connect to the amplifier, professional case, genuine Brazilwood bow, rosin, D’Addario Prelude strings, and polishing cloth.

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Video Credits: Kennedy Violins

2. Cecilio 4CEVN Electric Silent Violin

The Cecilio 4CEVN is yet another exceptional electric violin tailored for beginners, intermediate and professionals alike. Covered in metallic varnish, the instrument comes with dozens of features that are bound to get you started on your path of musical mastery.

It features a hand-carved solid maple wood body with an ebony fingerboard for the ultimate musical experience when bowing your favorite tunes. Moreover, the bow is made of sturdy Brazilian wood with unbleached Mongolian horsehair for guaranteed durability.

This silent violin is perfect for practicing without bothering others. You can connect a headphone and with the line-in jack, you can practice with background tracks. It also features a 1/8 output jack that allows you to connect your violin to amps or PA systems with the included cable. With the volume and tone controls, you can choose the sound you want.

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Pros

  • Lightweight, weighing less than 5 pounds
  • Solid construction
  • Silent violin
  • Affordable
  • It comes in 5 amazing colors: black, blue, white, mahogany, and yellow.  

Cons

  • The bow could be better.

What’s Included in the Package

This electric violin comes with a lightweight hard case, Brazilwood bow with unbleached genuine Mongolian horsehair, rosin, a bridge, aux cable (1/8 to 1/4 cable), and headphones.

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Video Credits: Meredith Cuddihy

3. Yamaha YEV104 Electric Violin

The Yamaha YEV104 is a semi-professional violin inspired by the organic beauty of wood. It comes in two colors: natural and black, and it is designed to deliver simplicity and excellent sound.

For example, the YEV104NT (natural color) and YEV104BL (black) are made from five different types of wood carefully selected to bring the violin’s natural sound to any performance.

One thing that stands out is its high-output passive pickup microphone, which captures the entire response of the instrument while emphasizing the delicate nuances of the bow.

Although it is significantly more expensive than the other two options presented in this post, it’s worth the price for the following reasons.

Design Features that Standout

With the YEV104 you will have an ergonomically designed violin offering the same structure as an acoustic one, plus its unique shape will stand out while performing.

Another feature that stands out is the strip-like design that provides continuity between the front and back of the instrument, making it very easy to get used to it because it will feel like playing an acoustic one. This feature helps a lot if you are transitioning from playing acoustic violins to electric ones.

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Unmatched Sound Quality at this Price Range

It is no secret that the type of wood used to build an instrument is directly related to the quality of the sound it will produce.

The Yamaha YEV104 is built using five types of wood. The body is made from spruce, mahogany, and maple using a 5-layer construction technique.

The sides are made from high-quality walnut wood. The neck is carved from carefully selected maple, and finally, the fingerboard is made from composite wood.

It’s not unusual for an electric violin to sound boxy and thin, specially the lower quality ones. With the YEV series of electric violins you will get a warm, well balanced sound.

Video Credits: Yamaha_Global

High-Quality Pickup and Electronics

It doesn’t matter how well built an electric violin is, but if its pickup mic and electronics are not up to par, it will not sound good.

One key feature of the YEV104 is the high-output passive bridge pickup microphone that comes with it. It is the same type as the one used in the SV-250 series silent violin, which costs around $1800.

This bridge with the built-in piezo-electric pickup captures the instrument’s response as intended by the player, plus the expressiveness and nuances of the bow are captured in great detail, delivering an excellent performance.

Video Credits: Suey Wong

Disadvantages

One thing I don’t like about this violin is the fact that it doesn’t come with a case and bow. You would have to buy them separately, which increases the overall price of the instrument.

Another negative is that the designers put a lot of effort into picking up good quality wood for the body and frame of the violin but decided to use composite wood for the fingerboard.

We have to understand that they had to cut some corners to keep the price down when compared to other silent violins, such as the SV-250. But still, I believe that you are getting a quality electric violin that delivers an excellent tone for the price.

If you want to learn some vital information about electric violins before choosing one, please go to the next section. So, without further ado, let’s take a look at the top 3 inexpensive but high-quality electric violins that will meet or exceed your expectations that you should consider.

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Why Choose an Electric Violin?

We cannot doubt the fact that an acoustic or classical violin is the best representation of the authentic sound of a violin. However, the traditional version is somehow limited in its ability to amplify sound or play different types of music.

In contrast, electric violins are arguably more versatile as far as playing different music genres are concerned. You may use the electronic version to play nearly all types of music, including jazz, rock, or even heavy metal. The fact that e-violins can be connected to several electronic effects means that you can play different keys and tones seamlessly. Moreover, you can easily amplify your range of sound using an amp.

Another reason why you should choose an electric violin over its predecessor is that it is relatively inexpensive. Violins do not come cheaply, in particular, the traditional, classical version. However, with advancements in technology and the availability of materials used, electric violins prove to be much cheaper.

In terms of comfort, the electric violin is undoubtedly better. It has an ergonomic design, with a more comfortable shoulder rest, which helps in easing the tension around your neck and upper body. What is more amazing is that you may order a custom design to suit your specific needs.


Benefits of Playing an Electric Violin

Playing an electric violin offers so many advantages, not only to the violinist but also to the audience and public. Some of the most notable benefits include:

– Easily Recordable

If you are searching for a violin that allows for easy recording, then look no further than the electric violin. This type of violin comes with an inbuilt output jack that connects easily to an audio interface to use your PC to record your sound. Additionally, modern electric violins work seamlessly with standard recording software, making it easy to capture your best musical works.

– Easy to Learn and Use

Even though professional violinists may not recommend electric violins to beginners, there is no doubt that electronic versions are much easier to learn and play. Essentially, you do not have to be perfect at bowing or good at playing different keys to produce the desired sound.

– Allows for Silent Practice

Electric violins are ideally silent, in that you must connect the instrument to an amplifier to produce sound. Without this connection, the sound will be inaudible. Moreover, most electric violins come with a headphone jack that allows you to practice silently without disturbing your neighbors.

– Compatible with Effects and Loop Pedals

The beauty of playing an electric violin is that it can be connected to effects such as reverb, distortion, wah, chorus, loop, etc., just to name a few allowing you to change the sound by mixing and matching different effects for better performance and enhanced sound quality that is completely original.

– Supports Contemporary Genres of Music

As mentioned earlier, electric violins are ideal for violinists who intend to expand on their range. This is because the instrument supports nearly all genres of music, including contemporary sounds such as rock, pop, and jazz.


Things to Consider When Choosing an Electric Violin

If you are still learning the ropes on how to play the violin, then choosing the best electric violin for beginners may prove to be a difficult task. However, you can make things easier by considering the following factors.

– Intended Use

Some people may want to buy an electric violin for silent practice, while others would want one for professional use. Whatever the purpose, an electric violin is the right choice as it comes with a headphone jack that allows you to practice without disturbing your neighbors. At the same time, it offers excellent options for recording purposes and live performance.

– Build Quality

The quality of construction is another factor that you would want to consider. This is because the materials used will determine the performance of the instrument. Unlike traditional violins, which are predominantly made of wood, electric violins can be made using any material, including wood, plastic, metal alloys, and carbon fiber. These materials might not be necessarily the best for acoustic purposes, but they are more durable.

– Ergonomics

The ergonomics of the electric violin will determine its ease of use and level of comfort. You should opt for an instrument that gives you maximum control when playing without compromising on your comfort around your neck, arms, and shoulders.

– Electronics

The heart of an electric violin is its electronic components. The pickup and preamp will determine how the instrument sounds. Therefore, it is very important to choose a silent violin with good quality pickup coupled with a good quality preamp to obtain the best sound possible produced by the violin.

– Price

Price is also an important factor when shopping for an electric violin. While some brands of e-violins might be expensive running in the thousands of dollars, for a beginner or someone that wants to get started using a silent violin it is always good advice to go for a brand that provides good quality instruments with excellent value for money while remaining within your budget.


Features to Look for in an Electric Violin

Here are vital elements to look for when shopping for an electric violin

– Pickup

The pickup is the component that rests between the bridge and the top plate of the instrument. Most electric violins have a piezoelectric or piezo-ceramic pickup. Professional and high-end brands come with carefully designed electromagnetic pickups providing a more natural high-quality sound. For beginners or intermediate players who want to start using an e-violin, choosing one with piezoelectric or piezo-ceramic pickup would be a good choice.

– Headphone Option

The headphone option found in modern electric violins allows you to practice or play your instrument without distraction the family or your neighbors

– Volume Control

Before purchasing an electric violin, be sure to check whether it has volume and tone controls to allow you to adjust the volume and tone of the instrument quickly and conveniently.

– Look for Packages and Bundles

A good electric violin bundle should include a hard case, mini amp or headphone, rosin, replacement strings, and cable. Some but not all also include a tuner and shoulder rest.


Final Thoughts

Deciding on the best cheap electric violin entirely depends on your individual preferences. However, we strongly recommend that you consider acquiring either of the two options reviewed above.

The Bunnel electric violin is ideal for all types of violinists, including inductees and professionals, while the Cecilio violin is ideal for silent practice or playing at night without disturbing anybody. But if you want the best sounding violin from the ones presented in this post, the Yamaha should be your choice.

So what are you waiting for? Make your choice and start bowing your preferred violin today!

The Top 10 Best Violin Strings

Selecting the best set of strings for your violin is not an easy task because nowadays there are so many brands, core materials, tensions and characteristics that make it difficult to know which one will sound the best.

The truth is that there is no way to know how a set of violin strings are going to sound unless you install and use them. It is also important to point out that each violin is different even if it’s made by the same luthier or factory because there are many factors that can affect the sound of the instrument.

What this means is that there is no one set of string that is going to sound great on all violins, as one brand of strings can sound great on one violin while not as good if used in another.

The purpose of this article is to present the top 10 best violin strings selected using a set of guidelines to make it easier for you when choosing.

The top 10 best violin strings for 2019 are:

  1. D’Addario – Prelude
  2. Super Sensitive – Red Label
  3. Fiddlerman
  4. D’Addario – Helicore
  5. Thomastik – Infield Dominant
  6. Pirastro – Evah Pirazzi
  7. Pirastro – Obligato
  8. Thomastik – Peter Infeld
  9. Pirastro – Oliv Series
  10. Pirastro – Evah Pirazzi Gold

Also, we have included the guidelines used to select each set of strings as a buyer’s guide to provide you with the basic knowledge about the different features and characteristics needed to be taken in consideration so that you can make an educated decision when choosing a set of strings for your violin.

Moreover, featured are some of the frequently asked questions about violin strings, to help the user have a more complete understanding of the subject.


D’Addario – Prelude

Prelude violin strings are made using a solid steel core. For this reason, these strings are virtually unaffected by changes in temperature and humidity. Thanks to D’Addario’s damping technology these affordable strings produce the warmest sound available in steel core strings at this price range.

When it comes to value, durability, and tone, Prelude is by far the best violin string for beginners. Violin teachers prefer this string for their students when they are in the beginning stages of violin playing.

Key Features:

  • Designed with quick bow response and ease of use in mind.
  • Optimized solid steel core that delivers the warmest-sounding student strings available.
  • Educator’s preferred choice for student strings because they are economical, durable and provide the right tone.
  • More pitch-stability means less time tuning.
  • Durable and humidity and temperature resistant.
  • This strings as all D’Addario strings are designed, engineered and manufactured in the USA to the most stringent quality controls in the industry.
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Super Sensitive – Red Label

One of the most popular brands for beginner violinist is Super Sensitive’s Red Label violin strings. These strings provide good sound quality for anyone just getting started on the violin, as they are designed specifically for students.

These strings have a solid steel core to them and are good replacement strings. Due to their multiple sizes, Super Sensitive’s brand is good for all violin sizes, including children’s violins. In terms of strings for practicing, these are the best option around, but they are not great for long-term use or for solo performances.

Key Features:

  • Designed specifically for students, making them easy to install and easy to use.
  • High-quality materials, making the strings more durable than other beginner violin string brands.
  • Meant for musicians of all ages.
  • Economically priced, making them affordable.
  • Multiple sizes.

Pros:

  • Easy to install.
  • Good tone quality.
  • Durable.
  • Produce a warm tone.
  • Fits on any violin size.
  • Great for practicing.
  • Economically priced.

Cons:

  • Tend to stretch over time.
  • Have been known to break when used daily for a time span of three months.
  • Some users have complained that in some violins the sound is squeaky.
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Fiddlerman

Fiddlerman is a German-made violin string with a synthetic core that sounds richer than most other beginner’s violin strings. The synthetic core is a more expensive alternative to a steel core and uses Perlon, a type of nylon that is extremely durable.

By switching to a synthetic core, the strings have a smoother finish to them which can be heard in the sound quality they put out. Fiddlerman is a great beginning string, especially for those who want to test out different cores to decide their string preferences.

Key Features:

  • Uses a synthetic (Perlon) core, stepping away from the steel-string.
  • Sound quality is so rich it is difficult to distinguish these strings from a more professional-grade string.
  • All strings in this brand have ball ends.
  • Strings are the best in well-matched tone quality.

Pros:

  • Synthetic core provides a richer tone than steel core
  • Consistent sound.
  • Takes very little time to settle
  • All strings are packed carefully to avoid corrosion or any other possible damage during shipping and arrival.

Cons:

  • Due to the nature of Perlon, the string can begin to unravel over time.
  • Known to break often.
  • Some users have complained that is some Chinese violins the “A” string sounds off-tune.
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D’Addario – Helicore

Helicore by D’Addario is the last set of violin strings we want to recommend in the beginner’s category. Among the previously mentioned set of strings, this one stands out as the best violin strings for beginners, especially those who are practicing to become intermediate violin players.

These strings have a steel core, which is fairly standard among violin strings. There are three choices for tensions, ranging from light to hard, and the most recommended for beginners is the medium tension.

The amount of versatility in these strings is perfect to help beginners find their favorite style of playing and is used by professionals and students alike, making it the perfect string to assist beginners to go into the next level of professional violin playing.

Key Features:

  • All D’Addario strings are manufactured in the USA, with extreme quality control for the best sounding strings possible.
  • It has a steel core that uses the stranding method, producing the highest quality for beginner violinists, and helping with durability.
  • Due to its way of manufacture these strings provide versatile playability, these strings accommodate all playing styles associated with the violin.
  • Their smaller size gives a great, quick response to bows.

Pros:

  • Range of tensions.
  • High-quality sound that is unique.
  • Good bow response.
  • Versatile playability.

Cons:

  • D string is known to break.
  • More expensive than most brands.
  • Takes more time to stabilize.
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Thomastik – Infield Dominant

One of, if not the most widely used string among intermediates violin players is Thomastik’s Infield Dominant strings. These strings are excellent for experienced beginners and intermediate students.

As beginner students switch to intermediate playing, these flexible, multi-strand nylon core delivers a tone comparable in sound and feel to natural gut strings which will help the student appreciate a better tone without using cheap, scratchy strings.

A full set includes All Ball-End Aluminum/Perlon “A”, Aluminum/Perlon “D”, Silver/Perlon “G”, and Ball-End Steel “E”.

Key Features:

  • These strings use coatings of aluminum and silver over a synthetic (Perlon) core, making the tone rich and warm.
  • Recommended by music teachers due to the richer, warmer sound that beats out brighter violin strings.
  • The material used makes them resistant to changes in temperature, humidity, and climate.
  • Tonal quality is a perfect, medium balance of sound, not too harsh, and not too soft, making the playability extremely versatile.

Pros:

  • Good for teaching proper violin methods.
  • Richer sound than other strings.
  • Music teachers recommended.
  • It can be used on many types of violin, including electric.
  • Incredibly easy to tune, even for beginners.

Cons:

  • It can be very sensitive to set up.
  • When installed the can sound metallic at first, but after the strings break in they sound warmer and fuller.
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Pirastro – Evah Pirazzi

Pirastro’s Evah Pirazzi strings claim to be the “soloist’s choice” when it comes to intermediate violin strings. These strings have a couple of variations to them, making them great for intermediates who want a specific sound to their violins.

Their core is synthetic, not steel, which warms the tone of the violin’s sound. Perfect for performances, these strings project loudly, and Pirastro has made specific strings that will produce an even louder sound than imagined.

These strings help budding violinists become expressive in their music, making it the perfect option for those seeking a unique quality to their sound.

Key Features:

  • Two variations of string: E-platinum, a platinum-coated string over the synthetic core that produces an easy transition between notes and a warm sound, and the E-gold steel, coated in gold, which has a powerful, bright tone.
  • The strings are not affected at all by climate, humidity, or temperature changes.
  • Both loop end and ball end available on all strings in the set.

Pros:

  • Great for projection purposes.
  • Unique tonal quality.
  • Options for the choice of string.
  • Very responsive to different bow techniques.

Cons:

  • More expensive than other strings.
  • Quick turnaround, if used daily, they tend to become dull in 3 to 4 months.
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Pirastro – Obligato

The Obligato version of Pirastro’s synthetic violin strings is top-notch and definitely performance-ready. Intermediates who want a more classical, rich sound will love this brand, as it’s synthetic core is similar to that of a steel core but with a richer quality to the sound.

This specific string doesn’t offer the platinum or gold options, but they offer aluminum coating, “A”- chrome steel, and “D”- aluminum for the best variety of string sounds a violinist could get. These strings are recommended for any intermediate seeking to perform at a higher level.

Key Features:

  • The variations in string coatings for a multitude of sounds and a unique tone.
  • Synthetic core, different from the classical steel, but with classical undertones.
  • Strings come in multiple sizes to fit different violins.
  • These strings will give musicians a dynamic range they have never experience before with other intermediate strings.

Pros:

  • Variety of sounds.
  • Great for classical performing with a modern string.
  • Very durable, not as breakable as some brands.
  • Complex tone.
  • Easy to tune.

Cons:

  • On the more expensive side.
  • Has a “darker” sound.
  • Takes a week to take on their true sound.
  • Need to be tuned quite often for the best quality.
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Thomastik – Peter Infeld

Thomastik’s Peter Infeld strings are the perfect choice for a violinist looking to have a dark, rich tone in their music. These strings are filled with emotion and character, making them great for both solo performances and orchestral work alike.

The craftsmanship is high in quality, and these strings will not disappoint. The synthetic core makes the volume and projection of these strings second to none, and they produce an extremely emotional tone. Definitely not for beginners, these are recommended for experts who want to convey a certain feeling in their music.

Key Features:

  • With a synthetic core and high-quality material, these strings produce a sound that will have listeners captured in awe.
  • The tone of these strings is a perfect blend of elegance and power.
  • Bow response is phenomenal, with very low string resistance.
  • Wide variety of metal coatings for different sounds, including platinum, silver, and aluminum.
  • Offers both ball end and loop end to the strings.

Pros:

  • Great for a darker tone in music.
  • Easy to work with.
  • Bows glide like butter across the strings.
  • Long-lasting and durable.

Cons:

  • Not suitable for every violin type.
  • Research with your violin type required before purchase.
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Pirastro – Oliv Series

The Oliv series of Pirastro’s violin strings have an incredibly unique feature, which is the core of the string itself. These strings are handmade, and have a sheep gut core that is wound, making them perfect for violinists who prefer a Baroque set-up on their instruments.

Of all the expert strings, this series from Pirastro is by far the best and is highly recommended by many professional musicians and violin experts around the world. The strings fit well with almost any instrument and playing style, and they have a sound quality that is beyond any other brand or type of string.

Key Features:

  • The Oliv series has a sheep gut core, which provides a more complex, warm tone to the sound quality of the instrument.
  • These strings fit with most violin types.
  • There are a variety of metal coatings for different sound options.
  • Equated to an artist’s palette, these strings are said to expand the “musician’s palette.”
  • Available with both the ball end and the loop end on the strings.

Pros:

  • Good for Baroque style violin set-ups.
  • Complex and colorful tones.
  • Good for nearly all styles of violin style playing.
  • Unique, set apart from all other violin strings.

Cons:

  • Expensive.
  • Can be affected by changes in temperature and humidity.
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Pirastro – Evah Pirazzi Gold

It’s no secret by now that Pirastro has offered some of the best violin strings to musicians, but their Evah Pirazzi Gold strings are a step above in sound quality and brightness. These strings produce a “golden” tone, much like their name would suggest.

They are great for bright, complex performances, and will not leave any violinist wanting for more. Experts who want to experience the widest range imaginable will love these strings, as they allow for a beautiful, mixed range of tones and notes that other strings cannot accomplish.

Key Features:

  • The string core is a synthetic one, with multi-fiber filaments.
  • These strings produce a bright, golden tone and will allow for warm tones from the very bottom of heir register, to the very top.
  • Astoundingly instantaneous bow response for all notes.
  • Wide range of dynamics and registers helps to allow expert violinists to explore the realms of music in a clean and easy way.

Pros:

  • Wide range of dynamics and register.
  • Great for projecting sound.
  • Variety of metal coatings for strings.
  • Great for solo performances.

Cons:

  • The bright tone may not be suitable for all music types.
  • Not the best for orchestral performances as they may be too overpowering.
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How to Choose the Right Violin Strings – Buyer’s Guide

Having the right set of strings paired with the right violin makes a huge difference in the sound, and as soon as you hear it you will know that it sounds perfect. The ideal string is going to depend on the instrument, the type of music being played, and your bowing style. Different strings have a different sound and playing characteristics

To select the correct set of strings for your violin there are a few things you need to know to make the right choice: string core materials, and string tension and thickness (Gauge). Let’s take a look at each one of them.

String Core Materials

There are three material from which all string cores for violins are made from. These are Solid and stranded steel core, synthetic core, and gut core.

Solid and Stranded Steel Core

As its name implies steel-core strings are made from thin single steel wire. Stranded steel core strings are made from a thin steel wire that runs throughout the entire length of the string then is wounded with metals such as silver, titanium or steel.

Steel-core strings have a thinner diameter than synthetic or gut strings, which translates in a bright accurate sound with a quick and easy bowing response.

This type of strings tends to remain in tune better than synthetic or gut core because steel is not impacted as much by changes in temperature and humidity.

Synthetic Core

This type of strings is made from synthetic man-made material such as nylon, perlon, stabilon, and Kevlar. They are constructed using strands of fibers wound with metals like silver or aluminum.

The idea behind synthetic strings is to simulate the sound delivered by gut strings while making them more resistant to corrosion, temperature and humidity changes, and better pitch stabilization after installation.

Synthetic-core strings are known for producing a wide range of tones featuring a rich, warm sound with better tone quality, and more subtle tonal effects than steel-core strings. Because of all these features, this type of strings is the most popular for violin players.

Gut Core

This type of strings were the earliest kind of strings used in violins many years ago. There were made from sheep or cows’ intestines. Gut strings are divided in plain gut or wound gut.

The process to make plain gut strings was to stretch, dry, and twist them to make the string. Wound gut strings have an inner gut core then this is wound with metals like aluminum or silver.

Even though they are the oldest kind of strings they are still used today because they can produce a unique sound that is warm, rich and very complex because overtones are produced when being played.

The cons of this type of violin string are that they don’t stay in tune for long, have a shorter lifespan and are very delicate to changes in temperature and humidity.

String Tension

The tension of a musical instrument string is defined as the stretching force along the full length of the string. String manufacturers like D’Addario determine the tension of a string by the amount of mass (material) wound on the string, as well as the frequency of vibration and string length.  

It is important to know that the tension of a string is dependent on the materials used to make the core and the metals used for the external wound. Depending on the manufacturer the tensions and gauges of strings vary. One brand’s medium tension may be significantly different from another brand’s medium tension the reason is that string tension is not standardized. 

All string brands offer their products in multiple tension grades: light, medium, and heavy.

String tension and Sound Response

The sound produced by your violin will depend on the tension and thickness of the strings being used. By choosing between light, medium, and heavy tension different sound characteristics can be achieved.

Light-Tension Strings

This string will require less tension to tune the instrument to the correct pitch. With thin gauge strings, your instrument will sound brighter and have a quicker response.

If you install light tension strings on your violin and it sounds dull or unfocused, and you see that the string is over vibrating, you should try a thicker gauge like medium tension strings. Other names used for light-tension strings are soft and dolce.

Medium-Tension Strings

These are the most popular because they deliver an even and balanced tone in the instruments where they are installed. This tension is the most recommended for beginners and intermediate players.

Heavy or High-Tension Strings

Also known as forte are made to be of a thicker gauge. They will produce a louder and fuller sound with a wide range tone but with a slower response.  By using the same bowing technique on this string as in lighter gauge strings will produce a louder sound.

Keep in mind that strings of higher tension are made from thicker gauge materials meaning that they will need more force to move them and this could be a problem if you need to play softly. They are more difficult to control than light and medium tension strings.

As mentioned previously, the only way to find out which strings produce the sound you want is by trying them. When you install a set of string you might like the sound of the E and A string from one set and the D and G string from another set, for this reason, another good idea to find your sound is to mix and match different violin strings from different brands, tensions, and core materials until you get the best sound possible.


Frequently Asked Questions About Violin Strings

In this section, we have included some of the frequently asked questions about violin strings to help you understand better and be able to make an educated decision when choosing your next violin strings.

Which tension should I use on my violin?

If you don’t know which tension is best for your violin start with medium tension. If you are a beginner or intermediate, medium tension will work perfectly for you. But if when playing you feel that the string feels soft and the sound is dull, try heavy tension.

If using medium tension and you feel that the volume of your instrument is high, and you want easier bowing response, install a light tension set of strings. Sometimes, players that have experimented with different tensions, and different brands find out that a mix of light, medium and heavy tension strings works best for them because it gives them the tones and sound they are looking for.

What type of core do I want?

If you are a beginner violinist, you might want to start with steel or synthetic core of medium tension. It is recommended to try different brands until you find the sound you are looking for. You could also try mixing and matching different violin string sets to get the sound you like.

What notes are violin strings tuned to?

A violin has four strings. Starting from right side, the Thinnest string is E, the next one is A, the following is D, and the last one, which is the thickest and the one on the left side is G. The easiest way to tune a violin is by using a digital tuner.

Do violin strings make a difference in the sound?

Yes, strings can make a huge difference in sound. But, it is important to keep in mind that each violin is unique, it can be built by the same manufacturer or luthier but each one sounds different. A set of strings that sound good in one violin might not sound the same in another. Therefore, it’s important to try different brands of strings until you find the sound you like.

Best Violin Bow Under $100

If you are a serious violinist, you must be aware that quality bows are a must-have for a good performance. However skilled you are, a bad bow will impede your development and also affect your performance.

While there is no doubt that quality comes at a price, it is important to note that a good violin does not have to be a 5-figure masterpiece. Even with less than $100 you can get a good quality bow that will be worth its weight in Gold.

Below we will review the best violin bow under $100. This bow has stood the test time and after numerous trials by both seasoned and novice violinists, it still emerges at the top on the list of budget violin bows in the market.

Included is also a comprehensive guide that discusses the different materials that are used to make bows and tips that you can put into good use when shopping for a violin bow.


Fiddlerman Carbon Fiber Violin Bow

Many violinists hold this Fiddlerman creation in high regard and for a good reason too. Fiddlerman is a renowned manufacturer of high-quality musical instruments and this bow is not any different.

Handmade to perfection using top-quality carbon fiber, and with balanced weight distribution, it is no wonder that this bow ranks among the best. The bow also features Mongolian horsehair, a solid construction, and an arch known for its great bounce.

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Other notable features include:

1. Superb Design

This bow stands out because of its well-balanced design. The design goes to ensure a well-balanced sound. The hair is also adjustable, and you can tighten whenever the need arises. The weight distribution also eases handling, and this is one of those bows that you can play for hours without experiencing any tension or bouncing.

2. Minimal Hiss

This piece handles rosin longer than most bows in its category. It also produces a minimal hiss which makes it particularly popular among seasoned violists. Thanks to this feature and the fact it comes with genuine Mongolian horsehair, this bow produces a professional-grade sound. Therefore, it is perfect even for professional violinists.

3. Light and Has Good Weight Distribution

At about 60 grams, this is among the lightest bows in the market. If you know how to use it right, this bow will simply play like a dream. The minimal weight helps as the bow is much easier to handle when compared to other bulky pieces.

4. Durability

This is one hard violin bow to break. It is also designed to withstand humidity and high temperatures. All parts in this bow are made of high-quality materials. The carbon fiber is known for its durability and the Mongolian horsehair is the epitome of quality. The bow comes covered in cowhide leather also known for its durability.

5. Value

Fiddlerman Carbon Fiber Violin Bow is a perfect example of a bow that will give you value for money. The bow glides effortlessly across the violin. It rests easily on your arm and best of all, it is highly affordable. For less than $100, it is as good as it gets as far as violin bows are concerned. It is also designed to last and will serve you well for many years as long as you take good care of it.

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Pros

  • Lightweight.
  • It comes with genuine Mongolian hair for professional sound.
  • Great construction.

Cons

  • It needs some time to rosin well.

Violin Bow Buying Guide

If you are in the market for a violin bow, you will be confronted by all kinds of bows in different types and sizes. Making a choice and selecting one out of the many options available can be quite a task. Knowing what to look out for can help you narrow your search and make your work much easier.

Below is a guide on the common materials used to make bows. We have also included enough information on the features you should consider before buying to ensure you get nothing short of the best.

Materials Used to Make the Bow

The main materials used to make violin bows include Pernambuco wood, Brazilwood, carbon fiber, and fiberglass. All these materials have one thing in common, they are all very light. They are also quite sturdy. That said they come with unique features that affect their performance.

We talk about them in detail:

– Pernambuco Wood

This has been the material of choice for modern bows that are used when playing orchestral strings instruments. This wood from Brazil is in most cases strung using horse-hair. The wood is dense and often favored by experienced players.

While the Pernambuco wood results in great quality bows, environmental degradation has made it scarce. The market has responded to this scarcity and most if not all bows made out of this wood are quite expensive.

– Brazilwood

Brazilwood is a name given to tropical hardwoods used to make bows. The hardwoods come from Brazil among other tropical countries. This wood is mostly used to make inexpensive bows perfect for beginners and intermediate players.

Just like in the case of Pernambuco, Brazilwood is not as common as it used to be some years back. Though not as expensive as Pernambuco wood bows, the pieces made using Brazilwood are still not as common.

– Carbon fiber

Many bows made in the last 20 years are made using carbon-fiber. Various grades of this material are used and in some instances, it is bonded with resin to produce a material that functions pretty much like the Pernambuco wood.

Carbon fiber is both sturdy and durable. It is also affordable and offers good value for money. The Fiddlerman Carbon Fiber violin bow, for example, is made using carbon fiber material and is the best violin bow under $100 in a market filled with bows made of hardwood among other premium materials.

– Fiberglass

Fiberglass is another man-made material that is used to make violin bows. The bows made from this material tend to last longer but are cheaper compared to those made of wood or any of the above materials.

This is not to mean that these bows are not as good when it comes to quality. The construction to a large extent determines how well a bow delivers and there are some carbon fiber and fiberglass bows that would put some of the pricier varieties to shame.

It is hard to say which bow is best based on the material used to make it. Sure, the traditional Pernambuco wood comes with some enviable performance history, but the truth is that there are certain fiberglass and carbon fiber bows that offer equally excellent performance.

Bow Hair Quality and Types

The materials discussed above are often strung together using some form of hair. Bow hair comes in two main types.

On one hand, you have the all-natural white stallion hair, on the other, you have synthetic fiber hair. Stallion hair is derived from the tail of horses that live in extremely cold areas such as Mongolia. These cold climate stallions are favored because they produce thicker and stronger hair.

Even though synthetic fiber hair can be used to substitute white stallion hair, the truth is that nothing really equates to authentic stallion hair as far as performance is concerned. Violinists, even beginners can tell the difference and most prefer the white stallion hair as opposed to the synthetic fiber.

Weight & Balance and Its Effect on Sound and Handling

The average bow weighs about 60 grams. However, there are some that weigh a mere 54 grams and others that come to about 80 grams. Bows differ when it comes to weight and balance. A good bow should have a perfect balance when it comes to weight.

The lighter bows are perfect for making different strokes. They are easier to control and you can use them for long performances with minimal if any discomfort. The heavier bows, on the other hand, create a more powerful voice. It is up to you to weigh both options and see which option will add value to your performance.

Shape

Violin bows come in two shapes-round and octagonal. The round-shaped bows are preferred because they offer greater control. They are also less stiff when compared to the octagonal ones. That said there are experienced violinists who prefer the octagonal-shaped bows. It is, therefore, safe to say that the shape of the bow is pretty much a matter of preference.


Final Thoughts

These are the different varieties of bows that you will find in the market. When shopping for a new bow, you need to consider the material used to make it, its overall construction, as well as its balanced ratio These three factors will to a large extent determine performance. Size is also another factor to consider. The size of the bow you choose should correspond with the size of your violin.

All in all, bow shopping should not be hard if you know what you want. If you are a beginner, start by searching for the best violin bow under $100. It is recommended to first choose one of the cheaper varieties before you can identify one that works best for you. The Fiddlerman Carbon Fiber Violin Bow, for example, would be a great place to start.

Best Vocal Harmony Pedal

Looking to kick your voice to high gear? Why not invest in a good vocal harmonizer. This simple device will give your voice an edge and more voice options that you never thought possible.

In the past, stompboxes were only used by guitarists. Thanks to technology, modern vocalists can also get into the act using specialized pedals that can add reverb, generate harmonies and even correct the notes that are out of tune.

A harmonizer pedal can simply be defined as a pitch shifter. The pedal is used to combine a shifted pitch together with the original note to create harmony between two or more notes. When used right, these pedals can tremendously improve a singer’s vocals and add that extra oomph in a live performance.

While vocal harmony pedals are designed to serve the same purpose, the truth is that they are not created equal. There are some that come with all the necessary features and quality parts to boot. There are also some units that do not deliver what is promised. Ideally, a harmonizer pedal should serve the intended purpose and also stand the test of time.

In this article, we look at the TC-Helicon Voice Tone Harmony G XT harmony pedal. Highly ranked in the list of best vocal harmonizers available in the market today at an affordable price. The product comes with many interesting features that set it apart and make it the ideal choice for vocalists looking to add some extra sauce to their live performances.


TC-Helicon VoiceTone Harmony-G XT

This is a vocal effects unit that works to analyze your guitar chords and create harmonies from your voice. All the harmonies are two-part and can be turned on and off with relative ease using a foot-switch. This guitar-controlled pedal is designed with solo guitar playing singers in mind and comes with 10 programmable presets, 5 banks, and 2 variations.

With this pedal, you get two harmony voices with voice one offering higher, high, low, lower, bass, and octave up harmonies. Voice two, on the other hand, offers octave down harmony as a replacement for octave up. Even better, you get to a few variations for the harmony voice or the effect that you select. You can also double the effect simply by clicking on the double button. Other notable features include:

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Controls

The TC Helicon controls are designed with the user in mind. Everything is reduced to the bare minimum which means that users have an easy time navigating through all the available options. The interface features 4 knobs which include the guitar, Harmony, FX, and the Input level knob.

There is also a selection of knobs which you can use to choose effects, select and store presets and so much more. These buttons are not as prominent as the main four knobs which means that it is hard to press them accidentally. The foot-switch also goes to make this a user-friendly piece that is easy to control even for singers with minimal experience.

Sound

Even on default, this pedal’s sounds are great. Tweaking the preset sounds is also straightforward. Once you have programmed the harmonies you want to use in a live performance, you can double the effects using the footswitch. It helps that each effect comes with 3 variations and this together with the four variations on the doubling effects give you more than enough options as far as sound is concerned.

This being a TC group product, the quality of the voice does not come as a surprise. This Company has been consistent in producing outstanding vocal effects and comes with an impressive portfolio filled with a variety of quality musical instruments. It is important to note that despite the quality sounds, switching through different effects can be cumbersome especially if you have to do all that in the stage. However, with some patience and practice, you can use this pedal to get a great variety of professional sounds.

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Performance

This is among the most organic-sounding harmonizers. Even when you use the bass mode, the tones are nothing short of spectacular. Tracking here is easy and the pedal reacts well to the guitar chords. It helps that the processor is also high performing not to mention the numerous options that the harmonizer offers to vocalists.

While the TC Helicon will without a doubt exceed your expectations as far as sound quality and variety are concerned, it does take some time to set up all the parts that are required for the pedal to deliver as promised. There are also no editable parameters for effects and reverbs on the board and this can be a little limiting for some singers.

That said the pedal covers the core functions effortlessly and packs the extra flavor that most vocalists are looking for. All you have to do is learn all the ways you can put the pedal into good use.

Quality

There is no doubt that this pedal is built to last. Everything from the simple knobs to the overall constructions works to make this a simple yet versatile piece that will not only deliver as promised but also stand the test of time. The pedal comes with a rugged design that goes well with most if not all accompanying musical instruments.

The fact that the pedal comes with a user-friendly interface and quality sounds makes this an outstanding piece that is worth every penny and so much more. All you need to do is keep your levels reasonable and sing in tune and this pedal will reward you with great harmonies that will take your performance to the next level.

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Pros

  • Great audio quality
  • Wide variety of high-quality human-like voices and enough customization options for singers in different music genres
  • Uses a friendly interface with fewer knobs strategically placed to make hard to press any knob by mistake
  • Straightforward setup perfect for both novice and seasoned users
  • Compact piece

Cons

  • Subtle reverb that may not work for someone looking for something blatant
  • The manual key setting needs loads of foot switching activity and this can be challenging for one person during a performance

Features to Look for When Choosing a Vocal Harmonizer Pedal – Buyer’s Guide

They say that every musical instrument comes with its own voice. Thanks to technology, musicians today have adequate instruments to help manipulate their voices. A vocal harmonizer is one such tool and it can be used to manipulate the sound of a singer’s voice. Given the numerous vocal harmonizers available in the market, choosing one can be quite a task.

Below are some of the factors that you should consider to ensure that you get a harmonizer that will be worth every penny and so much more.

Quality of Sound

The quality of sound should be top on the list of factors to consider. If you can, try different harmonizers and go with the one that offers the best quality as far as sound is concerned. If you cannot get a chance to try, see what different users have to say about the harmonizers you are interested in and go for the option with the most positive reviews when it comes to sound and other factors.

Phantom Power Capability

Phantom power is another feature highly recommended when buying a vocal harmonizer. The reason is that if you decide to use a condenser microphone you will be able to run it through the harmonizer without the need of having an external phantom power source. Just to clarify, all condenser microphones to function need 48 volts DC, so if your vocal harmonizer includes phantom power all you have to do is activate it. Make sure that the unit you select includes this feature.

Effects

Included guitar effects is another factor that you must consider. Some processors can add or match chords depending on the guitar or keyboard notes. Some also come with fun guitar effects, robot voices, and radio voices among other features. Effects are designed to enhance your voice and it is wise to go with a harmonizer that works best with your voice and offers more than enough options so you are not limited in any way.

Mixing Effects

You want to go for a harmonizer that gives you numerous options. Choosing one that allows with a variety of mixing effects is best if you want a versatile piece. At the end of the day, a harmonizer with a variety of mixing effects will deliver better results than one without them.

EQ

A harmonizer with an inbuilt equalizer will be much easier to work with. With this feature, you can adjust the volume of certain frequencies and ensure that your sound quality is nothing short of perfect.


Conclusion

Adding harmony to your singing can make a lot of difference and give you an edge over other singers. The TC-Helicon Voice Tone Harmony G XT reviewed is among the best of its kind and it offers quality sounds and numerous options that singers can use to improve their music.

If you are not yet convinced, use the above guide when shopping and you can be sure that your purchase will be well worth it. Fortunately, there are many harmonizers available and it is easy to find one that meets your needs and also falls within your budget. Do not forget that the best of vocal processors cannot make up for a bad microphone. Ensure that you get a good quality microphone to complement your vocal harmonizer.

Best Ribbon Mic for Vocals

Back in the 1950’s professional recordings were made using ribbon microphones. Condenser microphones were not available at that time.

Artists such as Elvis Presley, Billie Holiday, Nat King Cole, and many others recorded their albums using ribbon microphones.

Nowadays, many recording artists still use ribbon microphones because of the smooth vintage sound they deliver.

Many years have passed since their invention. Still, they are frequently used today because they can deliver a very smooth mid-range response, making vocals and instruments sound purer.

The sound naturality you get with ribbon mics cannot be achieved with any other type of microphone.

That being said, ribbon mics aren’t all rainbows and butterflies. This type of microphone can have some technical challenges.

For example, passive ribbon mics have low output, meaning that it needs a ton of gain for the signal to be strong enough in the audio chain.

As the gain increases, so does the noise, and if the ribbon is not of good quality, the self-noise will be too much, and it will sound terrible.

They have also gained a reputation of being very delicate devices because the ribbon element can break easily. The good news is that with modern manufacturing processes, now ribbons are more robust but are still more delicate than your typical SM58 dynamic mic.

There are many brands and models in the market, and some of these microphones are very expensive, running in the thousands of dollars, so how would you know which one is the best ribbon mic for vocals that is not too expensive and can deliver the best ribbon sound?

In this post, we answer that question, and some other frequently asked questions about ribbon mics.


The Best Ribbon Microphones for Vocals

If you are in the market for getting the best ribbon microphone for recording vocals or live performance, here are the ones you should consider depending on your budget:

  • Rode NTR Active
  • AEA R84 Passive
  • Royer R-121

Let’s take a closer look at each one of these microphones.  


Rode NTR – It Delivers Beautifull Balanced Classic Tone

Are you looking for a clear, mellow, and impressively detailed sound for your vocals? If that’s the case, you need to get the Rode NTR ribbon microphone. Here is why.

It Delivers a Strong Signal and Low Noise

One of the characteristics of ribbon microphones is that they have a low output volume, which means that it needs a lot of gain to produce a strong enough signal to be recorded or amplified.

If you don’t have a high-end preamp, as you increase the gain, you will also be increasing noise, which produces a hiss in the captured sound.

Rode has solved this issue by making the NTR an active ribbon mic requiring phantom power to work.

This is because it has internal circuitry that amplifies the signal right at the source to increase its level providing you with a strong, clear sound with very little noise.

Your Vocals Will Sound Mellow, Warm, and With Balanced Tones

Ribbon mics are characterized for producing a sound that is quite dark because they aren’t very pronounced at the higher frequencies of the audio spectrum.

With the Rode NTR this is not the case. Thanks to its precise laser cut 1.8-micron membrane design, it can capture detailed sound with the kind of inherent tone that only ribbon mics can produce.

The NTR provides a wide frequency response with good accentuated high-end and strong low-end in a balanced way, always keeping the characteristic sound of ribbon mics. This gives you the possibility of using this microphone on any source delivering outstanding results.

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High-Quality Components and Manufacturing Process

When it comes to quality, Rode doesn’t take shortcuts. Each one of their microphones, including the NTR are designed and manufactured in-house in Australia.

Most of the components like the impedance matching transformers and electronic circuitry are made in their plant, keeping quality control to a maximum.

The NTR mic has a 10-year warranty that includes one free ribbon replacement during the warranty period.

The build quality of the Rode NTR is excellent. It is robust, unlike most ribbon mics. The element is of good quality, and the whole unit itself is held in suspension by a very clever system design so that no third-party shock mount is necessary to use it.

Video Credits: RØDE Microphones

Features:

  • The ribbon element is only 1.8 microns, designed to provide the highest sensitivity across the useable frequency response range.
  • Bi-Directional Polar Pattern
  • Integrated internal shock mounting system so that no external mount is needed.
  • Custom designed and manufactured transformer for better performance.
  • Heavy-duty matte black finish
  • Ribbon-securing travel screw supplied
  • Designed and manufactured in Australia
  • One free ribbon replacement during the warranty period.
  • Ten-year extended warranty when you register your microphone on Rode’s website.

NTR Technical Specifications

  • Acoustic Principle: Velocity Transducer
  • Active Electronics: Step-up Transformer and signal balanced preamp stage
  • Polar Pattern: bidirectional
  • Address Type: Side
  • Frequency Range: 20Hz – 20kHz
  • Output Impedance: 200Ω
  • Maximum SPL:  130dBSPL
  • Sensitivity: -30.5dB re 1 Volt/Pascal (30.00mV @ 94 dB SPL) +/- 2 dB @ 1kHz
  • Equivalent Noise Level (A-weighted): 15dBA
  • Power Requirements: +48V phantom power
  • Weight: 1047g – 2.30lbs
  • Dimensions: 216mmH x 65mmW x 65mmD
  • Connection Type: XLR Output
  • Warranty: 1 year with free extension to 10 years after registering the product.

Polar pattern

The NTR, as most ribbon microphones, is bidirectional with a figure-eight polar pattern. This means that it picks up sound from the front and rear and not from the sides.

This type of polar pattern picks up ambient sound; for this reason, it should be used in an acoustically controlled room.

Frequency response

The NTR has a relatively flat frequency response from 20Hz to 1kHz with a peak at 4kHz dropping down to -10dB at 10kHz. There is a small peak between 14kHz and 16kHz.

What this means in sound terms is that this mic can produce a relatively uncolored smooth mid-range when compared to other microphones. It also delivers clear highs but not so much as to saturate the sound.

With this frequency response, the microphone delivers warm, clear vocals with the signature characteristic sound that only ribbon microphones can offer.

Another application for this mic is to use it as an overhead mic when recording orchestra or drums, delivering excellent results.  


Sound Demonstration of the Rode NTR

Video Credits: RØDE Microphones

Phantom Power and Additional Circuitry

Most ribbon microphones don’t need phantom power to work. In fact, some of the older models or passive ones can be damaged if connected to phantom power.

The Rode NTR requires phantom power to work. The reason is because it has internal circuitry to amplify the signal coming from the ribbon element. The circuitry is designed to provide a high output level and a wide frequency response.

Handling

It is important to mention that a ribbon mic’s foil is very delicate, especially in older models.

The good news is that in modern ribbon mics like the NTR the ribbon element is installed in an internal shock mount system that protects the element from being damaged.

It also has a travel screw that secures the sensitive ribbon element and shock mount in place when not in use.

Although Rode has designed the NTR as a robust ribbon microphone, care must be taken to ensure the longevity of the mic.

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AEA R84 – Delivers a Full Rich Tone Rivaling Legendary Brands

One of the secrets for getting the best results when miking vocals is to keep the EQ to a minimum to get the most natural sound possible. But to achieve that, you need the right microphone that brings out your voice’s details without coloring the sound.

With the AEA84 ribbon mic, you don’t need to EQ much to get beautiful, rich-sounding vocals. Plus, it will bring out the details of your voice in a gentle way.

Get a Modern Mic that Delivers Classic Sound

A classic sound from a ribbon mic is characterized as being warm and smooth, but it tends to lack in the higher frequency range in some cases.

On the other hand, condenser mics are very good at picking the higher frequencies, but if not equalized correctly, it can sound harsh.

With the AEA R84 you get the best of both types of mics. It delivers a perfectly smooth mid-frequency range and balanced high frequencies.

In other words, with this mic, you will get a beautifully balanced tone, but with the signature sound that only ribbon mics can deliver.   

It Delivers Outstanding Bass and Treble Response

There is nothing better than listening to a vocal performance that has a balanced tone. To achieve a balanced tone in your mix, you need a mic that picks up the sound without adding coloration, making it easy to EQ.

The AEA R84 delivers a full and rich tonality with incredible highs and lows response.

If you are trying to capture a “flawless” vocal take on your next recording project, the R84 is up to the task, and it will deliver.

Sound Demonstration of the AEA R84

Video Credits: AEA Ribbon Mics & Preamps

Choose Between the Active or Passive Version

The R84 comes in two models, passive and active. The passive version doesn’t need phantom power to work because it doesn’t have internal circuitry, but it requires a preamp.

When dealing with passive ribbon mics, it is essential to have the best microphone preamp you can afford because your sound’s quality will depend on it. 

If you don’t have a professional preamp, you can opt for the AEA R84A, which is the active version.

This version comes with a built-in JFET preamp and the same custom German toroidal transformer used in the R84 and the classic R44. For this model, you’ll need phantom power.

With the active model, you get a 12dB gain in sensitivity, making it perfect for connecting it to your audio interface, and start recording your vocals straight to the computer while delivering the classic ribbon sound.

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Features and Highlights of the AEA R84 Ribbon Mic

  • It’s designed with a large ribbon transducer measuring 2.35” long x 0.185” wide x 2 micron thick
  • The transducer is made from pure aluminum and built using a low-tension ribbon topology for better response
  • It is a versatile mic that can be used for multiple recording applications such as vocals, guitars, drums, etc.
  • Thanks to its native frequency response, this mic eliminates unwanted fizz in the high-end while eliminating the low-end rumble. The result is always a tone that sounds pleasant and natural.
  • The warmth, depth, and clarity that you’ll achieve with your vocals will be remarkable.
  • The tone that this mic captures on female vocals is outstanding because it perfectly fits the female voice’s vocal range.
  • With the AEA R84, you can get a dark and full-bodied sound that is warm, smooth, and thick all at the same time.

Specifications

General Specifications

  • Polar Pattern: Bidirectional, figure-of-8 pattern
  • Frequency Range: 20 Hz to 20 kHz
  • Transducer: Pure aluminum corrugated ribbon
  • Thickness: 1.8 μm
  • Height: 11.6 in (29.5 cm)
  • Width: 3.9 in (9.9 cm)
  • Depth: 2.5 in (6.4 cm)
  • Weight with cable: 3 lb (1.36 kg)
  • Connector: XLR-3M

R84 Passive Microphone Specs

  • Maximum SPL: 165 + dB SPL (1% third harmonic > 1 kHz)
  • Sensitivity: 2.5 mV/Pa (-52 dBv/Pa) into unloaded circuit
  • Output Impedance: 270 Ω nominal
  • Recommended Load Impedance: 1.2K Ω or greater
  • Phantom Power: Not required, Not recommended

R84A Active Microphone Specs

  • Maximum SPL: 141 + dB SPL (1% third harmonic > 1 kHz)
  • Sensitivity: 6.3 mV/Pa (-44 dBv/Pa) into unloaded circuit
  • Output Impedance: 92 Ω broadband
  • Recommended Load Impedance: 1.0K Ω or greater
  • Phantom Power: +48 VDC phantom power, 7 mA

Included Accessories

  • Softcase
  • User manual
  • 10 ft (3 meters) XLR cable.
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Royer R-121 – A Classic Approach Delivering Warm, Realistic Tone

Have you ever wondered why some ribbon mics cost only a few hundred dollars while others are priced in the thousands of dollars?

This price difference is due to the precision manufacturing process and quality of materials to develop the membrane and transformer inside the mic.

For example, the Royer R-121 is designed and built in the U.S.A using high precision modern manufacturing processes and hand-build construction techniques. Read on to discover why you should consider this mic for your next vocal recording.

It’s All About Warmth and Natural Sound

With a ribbon element thickness of only 2.5 microns, you will be sure to capture sound in great detail while maintaining the natural sound and warmth of your voice.

It’s been said that this mic “hears” sounds like your ears do. In other words, it picks up the sound just as you hear it, yes is that natural. This sound characteristic is what you need if you want to record your voice.

Of course, in the end, it all depends on your preference. In sound engineering, there is no right or wrong; there is what works for you.

With that said, if natural sound and warm vocals is what you are looking for, you need to try the R-121 from Royer labs.

The R-121 is a Versatile Microphone in the Studio

Although this post is for the best ribbon mics for vocals, the Royer R-121 also works excellent when miking other sound sources.

You can use it to mike electric guitar and bass amps, brass instruments, kick drums, percussion, string instruments, choirs, orchestras, etc.

The beauty of using this mic is that whatever source you put in front of it will sound natural, which means that your EQ will be kept to a minimum, and bright sound sources won’t sound harsh.

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You Can Sound Like a Blend Between Condensers and Ribbon Mics

Ribbon microphones have a figure of 8 polar pattern, meaning that they pick up sound from the front and back equally.

With the R-121, the backside picks up sound with a brighter tone than from the front. This can work to your advantage.

Let’s say that you want a brighter sound when recording your vocals or guitars. To achieve this, stay no more than 2 feet away from the back of the mic, and your voice will sound like if you were blending 10% condenser and 90% ribbon mic while maintaining a vintage, natural sound but with a bit more natural brightness.

There is an Active Version Similar to This Mic

As mentioned previously, ribbon mics output a small signal, so they need a high-gain, low distortion preamp to deliver a strong enough signal to work in the signal chain, and the R-121 is no exception to this rule.

The good news is that if you don’t have a professional-grade preamp, you can opt for the Royer R-122 MKII, which is the active version of the popular R-121.

With the R-122 MKII, you will get a similar tone to the R-121 but with the advantage of a signal gain of 15 dB, which will work perfectly well with an audio interface if you plan to record your voice in a home studio.

On that note, it’s worth mentioning that if you plan to mike or record crazy loud sources, go with the original R-121, which is the passive version, because it will provide you with an SPL greater than 135 dB. Perfect for miking guitar amps at high volumes or very loud vocalists.

Features

  • It can be used for miking high SPL sound sources
  • You can choose between the active or passive version
  • Thanks to its design and construction it delivers an extremely low residual noise
  • The R-121 ribbon element is not affected by heat or humidity
  • Absence of high-frequency phase distortion
  • It provides equal sensitivity from the front or back of the element
  • You’ll get consistent frequency response regardless of distance

Technical Specifications

  • Polar Pattern: Figure-8
  • Transducer: 2.5-micron aluminum ribbon element
  • Type of Magnets: Neodymium
  • Frequency Response: 30 Hz – 15 kHz +/- 3dB
  • Sensitivity: -47 dBv Re. 1v/pa
  • Output Impedance: 300 Ohms @ 1K (nominal)
  • Rated Load Impedance: >1500 Ohms @ 300 Ohms
  • Maximum SPL: >135dB @ 20 Hz
  • Output Connector: Male XLR 3 pin (Pin 2 Hot)
  • Dimensions: 155.7mm L, 25mm W (6.13″ L, 1″ W) Weight: 244g (8.6 oz)
  • Finish: Satin Nickel
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Frequently Asked Questions About Ribbon Microphones

What is a ribbon microphone used for?

Ribbon mics are used in many different applications. They are used on vocals if a warm natural sound is the goal.

Another application for this type of mic is to use it as an overhead mic when recording orchestra and drums, delivering excellent results.

Since this type of mic is not as sensitive as condensers, they are often used when miking loud sources.

Newer ribbon mics like the Rode NTR or AEA R84A are more sensitive because they have active circuitry to boost the signal coming from the ribbon element.

Are ribbon mics good for vocals?

To answer this question, you need to know what kind of sound you are looking for.

Ribbon mics are perfect for vocals if you want a warm, natural, uncolored sound. If you prefer a bright, crisp sound, then a condenser would work better for you.

How does a ribbon microphone work?

Ribbon microphones are very simple in design. Basically, it is composed of a thin aluminum foil that is suspended between two magnets.

In other words, the foil is suspended within a strong magnetic field. When soundwaves hit the foil, it moves according to the sound energy inflicted on it.

As the thin foil moves, it causes an electrical signal to be induced in the foil. The generated signal then goes to a transformer to be boosted and sent to the preamp.

Do ribbon mics use phantom power?

Not all ribbon microphones use phantom power. Passive and older models don’t use phantom power. In fact they can be damaged by it.

Newer models like the Rode NTR and AEA R-84 use phantom power to enhance the mic’s output level and frequency range.

Are ribbon mics dynamic?

Ribbon microphones are a type of dynamic microphone because the foil is suspended between a magnetic field, and the signal is induced in the foil.

Does Royer R-121 need phantom power?

No, the Royer 121 ribbon microphone doesn’t need phantom power because there are no active internal electronics.


Final Thoughts

If you are looking for the perfect ribbon mic for your vocals that delivers a natural and smooth sound but still emphasizes the high and low-end frequencies in a balanced way, choose any of the ones mentioned in this article.

You’ll be amazed at how full-bodied, warm and beautiful your voice will sound.

The mics presented here were designed, taking no shortcuts in the process and using only good quality components and high-quality controls to deliver the best ribbon sound possible.

If you prefer a very bright, crisp sound, you better go with a condenser mic suitable for recording vocals. But, if natural, uncolored sound is your thing, nothing will make you happier than recording your voice through a ribbon mic.

I hope this article helps you to choose the right sound for your next recording.

Best Live Condenser Vocal Mic

Condenser microphones offer better sound quality than dynamic microphones providing a more transparent, detailed, and fuller sound.

Professional vocalists often use this type of mic for live performances because they can capture a performance’s finest details.

In this article, we present to you the best live condenser vocal mics available in the market. Also, we have included a condenser microphone buyer’s guide with some guidelines that you need to know when selecting a condenser mic for live vocal performances.

We also answer some of the frequently asked questions about this type of microphone so that you have a better understanding of them.


Why Use Condenser Mics for Live Performance?

A good quality, well-designed condenser capsule is naturally capable of producing a smooth response through the full frequency range, unlike dynamic mics.

The reason for this is because the capsule of a dynamic and condenser microphones are very different in design and physical characteristics.

The membrane of a dynamic mic is attached to a coil that moves inside a magnet for this reason it needs more sound energy to vibrate and capture the sound.

At higher frequencies, this limitation becomes more evident since higher frequencies have less mass in the sound moving through the air making it more difficult for the membrane to vibrate.

On the other hand, a condenser microphone’s capsule is made from two plates that are separated with a voltage between them. One of the plates is fixed while the other is made from a very thin light material that acts as a diaphragm.

When sound strikes the diaphragm, this vibrates changing the voltage between the plates creating a signal that is later amplified.

Because less sound energy is needed to vibrate the thin plate at higher frequencies, condenser microphones capture clear, crisp highs as well as lows making it very versatile in the full range of frequencies.


Misconceptions About Using Condenser Mics for Live Performance

There are some misconceptions about condenser microphones when it comes to live performances. Many people believe that they have higher handling noise because of their highest sensitivity, but the truth is that condenser microphones have lower handling noise.

Another erroneous idea is that they feedback quicker. Feedback on a microphone has to do with frequency response, speaker and monitor placement and not by the type of microphone being used.

Of course, the polar pattern and response curve play an important role in a microphone quicker feedback but most of the time speaker placement is the main reason.

Here are a couple of detailed articles, one on how to position PA speaker and the other on how to setup stage monitors to get the best sound and avoid feedback.


Best Live Condenser Vocal Mic Reviews

The 10 best live condenser vocal microphones available in the market today are:

  1. Audio-Technica AT2010
  2. AKG C5
  3. Rode M2
  4. Shure SM86
  5. Blue enCORE 300
  6. Audix VX5
  7. Sennheiser e865
  8. AKG C7
  9. Earthworks SR40V
  10. Neumann KMS 105 MT

Let’s take a closer look at each one to find out their sonic characteristics, features and more.   


1. Audio-Technica AT2010 Cardioid Condenser Handheld Microphone

Overview

The Audio-Technica AT2010 is a handheld condenser microphone that offers studio-quality sound in live performances.

Thanks to its 16mm low-mass diaphragm you will get ultra-clear sound that is not possible to get with dynamic mics.

It is designed specifically for close-up vocal use in professional live-sound and studio applications.

Even though this is a budget microphone, vocalists have claimed that when performing using the AT2010 there is nuance and clarity in their voice that helps them to articulate and express better than when using other types of microphones. 

The AT2010 microphone requires phantom power to work.

Features

  • It uses the same diaphragm found in the critically acclaimed AT2020 side-address studio microphone.
  • Extended frequency response and superior transient response that delivers smooth, natural sonic characteristics.
  • High SPL-handling and wide dynamic range providing unmatched versatility.
  • Cardioid polar pattern reduces pickup from the sides and rear, improving its feedback resistance.
  • Multi-stage grille design offers excellent protection against plosives and sibilance without compromising high-frequency clarity.
  • Rugged all-metal design and construction for years of trouble-free use in live scenarios.
  • Corrosion-resistant contacts from gold-plated XLRM-type connector.
  • Includes Quiet-Flex stand clamp that provides silent, flexible microphone positioning.

Specifications

  • Microphone Capsule Type: Condenser
  • Polar Pattern: Cardioid
  • Frequency Response: 40Hz to 20,000Hz
  • Impedance: 100 ohms
  • Maximum SPL: 136 dB
  • Phantom power requirements: 48V DC, 2 mA
  • Connector: 3-pin male XLR
  • Weight: 8.2 oz. (233g)

Pros

  • When it comes to sonic quality, the AT2010 provides a smooth frequency response with beautiful low ends and warm clean sound at mid and high frequencies. It is a very responsive microphone when used as designed for close-up vocal.
  • This microphone is ideal for singers with low ranges. Bass singers tend to have low volume in the low registers, in that case by holding the mic closer it would compensate because it is designed to be used for close-up vocals.
  • It offers great value for money.
  • It does a good job when miking acoustic guitars.

Cons

  • Although is a condenser microphone and condensers tend to be very sensitive, the AT2010 is not as sensitive as other condenser mics. This is a disadvantage if the sound source is quiet and is located more than 3 feet away.
  • If the performer or vocalist has high sibilance, the mic could sound harsh on the high frequencies.
  • It can rumble at high sound pressure levels.

Sound Demonstration of the AT2010

Video Credits: Stanton Nichols

I have personally used this microphone for different purposes and from my experience, I can say that the AT2010 has smooth low and mid-frequency response combined with a crisp and clear high-end that sound good on male and female voices.

Its studio-like sound makes it ideal for live recordings as well as for recording demos in your home recording studio.

Overall, the Audio-Technica AT 2010 is a great microphone that offers great value for the price. It is also ideal for people who are looking for a decent live condenser mic and don’t have the budget for higher-end mics.

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RELATED: How to EQ Live Vocals


2. AKG C5 Handheld Condenser Microphone

Overview

The AKG C5 is a professional condenser vocal microphone that provides lots of gain before feedback ensuring that your voice will cut through the loudest mix on any stage.

That’s thanks to its cardioid polar pattern. It has been optimized to be used with in-ear monitor systems.

This microphone comes with an attachable presence boost adapter offering the unique choice of two sound flavors for a superior audio performance.

The transducer case is gold-plated protecting the capsule from corrosion and humidity. With its extremely rugged grille construction and solid die-cast housing the AKG C5 is a reliable companion for tough stage jobs.

Mainly designed for lead and backing vocals applications you will be sure to love the clear sound that this microphone can produce.

As all condenser microphones, the AKG C5 requires phantom power to work.

Features

  • The condenser capsule has been specifically tailored for a detailed pickup of unique individual acoustic color.
  • 24-carat gold-plated transducer case for maximum resistance to corrosion and humidity.
  • It comes with an attachable unique presence boost adapter model PB 1000 that naturally boosts frequencies by 5dB between 5kHZ and 9kHz giving you a choice of two different sound flavors, also improving vocal intelligibility.
  • Integrated shock absorber system effectively eliminates unwanted handling noises
  • Rugged condenser microphone for vocal miking on stage.
  • Extremely resilient, spring-steel wire-mesh cap for extra impact resistance.
  • Built-in windscreen/pop filter for effective suppression of pop and breath noise.
  • The transducer shock mount reduces handling and cable noise.
  • The cardioid polar pattern is Frequency-independent for high gain before feedback.
  • The microphone housing is very robust made of zinc-alloy combined with the extremely resilient spring steel grille, makes the C5 a rugged mic choice for a long stage life.

Specifications

  • Microphone Capsule Type: Condenser
  • Polar Pattern: Cardioid
  • Frequency Response: 65Hz to 20,000Hz
  • Impedance: 200 ohms
  • Maximum SPL: 140 dB
  • Phantom power requirements: +48VDC, 3 mA
  • Connector: 3-pin male XLR
  • Weight: 12.2 oz. (345g)

Pros

  • The AKG C5 has been highly rated for providing a low range punch with clear mids and highs, emphasizing on the lows, ideal for singers that want a strong male vocal presence, or female vocalists that want more presence on their sound. With this mic your voice will sound bigger and mellower the closer you hold the microphone to your lips.
  • A good sonic characteristic about the C5 is how the sound can change by modifying your working distance. Moving away from the microphone will produce a more reverberant, more distant sound as the microphone will pick more of the room’s reverberation.
  • Moving the mic closer to your mouth, less than 2 inches will give more body to your voice and an intimate, bass-heavy sound.
  • Sing to one side of the microphone or above and across of the mic’s top provides a well-balanced, natural sound.
  • You can use this effect to make your voice sound aggressive, neutral, insinuating, etc. simply by changing your working distance.

Cons

  • Some users have reported that if singing directly into the microphone, it can pick up excessive breath noise. Also, if a voice is to sibilant it can overemphasize “sss”, “sh”, “tch”, “p”, and “t” sounds.
  • The microphone is very insensitive to off-axis sounds, meaning that if two vocalists were to sing into the microphone from an angle wider than 35 degrees, you may end up with a feedback problem.

For vocalists that are looking for a good quality live condenser microphone that is rugged on live stages yet provides clear, crisp sound, I recommend this mic.

It is also a good choice for live or home studio recordings to lay down demos with excellent results.

At this price range, the AKG C5 is an impressive microphone that makes it hard to find a better competitor. It is a mic that provides good features with a great balance between sound quality and ruggedness. 

If you are looking for a good quality live condenser microphone at an affordable price, this is a great choice.

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3. Rode M2 Handheld Condenser Microphone

Overview

The Rode M2 is a rugged handheld condenser microphone that is designed for live performances. It provides a full frequency response with a tailored-for-stage super-cardioid polar pattern that ensures less feedback at higher volumes.

The 1/2” condenser capsule is shock-mounted so that it reduces the handling noise to a minimum. The M2 is designed to offer the ruggedness and reputation of a dynamic microphone but with the sonic quality of a studio condenser mic.

The Rode M2 condenser microphone requires phantom power to work.

Features

  • Small diaphragm 1/2” condenser capsule.
  • Sonically tailored condenser vocal microphone for live stages.
  • Feedback rejecting super-cardioid pick up pattern.
  • It has an on/off switch that is lockable so that the switch can’t be moved by mistake.
  • It is ergonomically designed to fit your hand comfortably.
  • The body of the microphone is made of heavy-duty metal.
  • Offers a high level of RF rejection
  • Low handling noise.
  • 10-year extended warranty when you register your microphone on Rode’s website.
  • It is designed and manufactured in Australia at Rode’s manufacturing facility ensuring high-quality controls from design to manufacturing.
  • It includes a zip pouch and stand mount with 3/8″ thread adapter included.

Specifications

  • Microphone Capsule Type: Condenser
  • Polar Pattern: super-cardioid
  • Frequency Response: 25Hz to 20,000Hz
  • Impedance: 50 ohms
  • Maximum SPL: 141 dB
  • Phantom power requirements: +48VDC, 3 mA
  • Connector: 3-pin male XLR
  • Weight: 10.9 oz. (308g)

Pros

  • One of the things that stand out about the Rode M2 mic is how flat is its frequency response curve between 100Hz to 9kHz. The higher frequencies between 10kHz and 16kHz have a gain of only 3dB. What this translates to is a more natural sound that is not excessive in the high frequencies delivering a warmer sound with sonic characteristics similar to some of the modern ribbon microphones.
  • If you have a nasal voice, raspy voice or boomy voice you could benefit from a mic with a flat frequency response curve like the M2 because the mic can flatten out the unwanted peaks of your voice producing a more natural sound.
  • The super-cardioid polar pattern in the M2 has a narrower pickup angle in the front providing more rejection to ambient sound. To be more specific, it has a 120-degree coverage angle, thus significantly reducing feedback

Cons

  • Some singers have reported that due to its flat response depending on the range of your voice it needs significant equalization to cut through the mix.

Rode M2 Sound Demo

Video Credits: The Dark Side of The Mike

Singers and presenters can benefit from the RODE M2 flat frequency response in live stages because it delivers a more natural sonic tone, as well as low feedback thanks to its narrower polar pattern.

Its price is reasonable, and this is one of the best live condenser vocal mics you can lay your hands on at this price range.

It can also be used to record your live presentations as well as for home recordings. This would make a great addition to your mic arsenal or as a first condenser microphone for vocalist.   

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4. Shure SM86 Handheld Condenser Microphone

Overview

The 2003 TEC award winner SHURE SM86 is a unidirectional, cardioid condenser microphone that brings studio-quality sound to the stage. It was designed as an extremely rugged touring mic as all the microphones in the SM line.

Its frequency response is tailored specifically for lead vocals consistently delivering great transients, balanced frequency response and wide dynamic range that translate in crisp, smooth reproduction of vocals.

This microphone is constructed with a three-point shock mount to effectively reduce handling noise, and a two-stage internal pop filter decreasing to a minimum excessive breath noise and voice sibilance.

Features

  • The electret condenser capsule delivers studio-quality sound in live stages.
  • Tailored frequency response for clear reproduction of vocals.
  • Rugged construction withstands the rigors of touring sound.
  • Thanks to its cardioid polar pattern minimizes unwanted background noise making it ideal to works well with both stage monitors and in-ear personal monitors.
  • With its built-in three-point shock mount handling noise, it’s minimized.
  • Two-stage pop filter reduces wind and breath noise.
  • Includes storage pouch and stand clip.
  • Requires +48VDC phantom power.

Specifications

  • Microphone Capsule Type: Electret Condenser
  • Polar Pattern: cardioid
  • Frequency Response: 50Hz to 18,000Hz
  • Impedance: 150 ohms
  • Maximum SPL: 147 dB
  • Phantom power requirements: +48VDC, 5.2 mA
  • Connector: 3-pin male XLR
  • Weight: 9.8 oz. (278g)

Pros

  • One of the sonic characteristics of the Shure SM86 is that it has a low-frequency roll-off between 50Hz and 150Hz to counteract the proximity effect when the mic is used too close to the mouth.
  • Between 2kHz and 5kHz some of the mid frequencies are boosted to provide clear vocal presence with a maximum peak of 7dB at 9kHz. Thanks to the subtle boost in the mid frequencies it delivers a sound that is warm and thick. Most condenser mics can deliver crisp sound in the higher frequencies, but the mix ends up sounding thin. The SM86 has a balance between mid and high frequencies.
  • Some users have reported that it is an excellent microphone to be used for home recordings. While it is designed and tailored for vocals it has been used to mic guitars, drums and other acoustic instruments with excellent results.

Cons

  • Some performers have mentioned that this microphone is better to be used indoors and not outdoors because it can pickup the noise of wind very easily if used in a windy place.

SM86 Sound Demonstration

Video Credits: Gear4music

The Shure SM86 is the condenser version of the industry-standard SM58 providing good sonic quality that delivers thick, warm clear vocals with enough punch for lower range voices without sounding harsh at higher frequencies.

It is also a great choice for female voices thanks to its mid frequencies boost delivering a sound that has enough presence to easily cut through the mix without sounding thin.

This is a great choice for churches because this microphone can be used for the worship band as well as for the spoken word and presenters in general.

If your worship services are recorded or transmitted live on the internet, with this mic you can be assured that your audience will hear a studio-quality sound.

For these and many more reasons this is one of the best live condenser vocal mics in the market today.

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5. Blue enCORE 300

Overview

The encore 300 provides you with excellent sensitivity and limited feedback problems when used on stage. This is hard to come by when choosing a microphone to be used in live environments.

When it comes to clarity, this mic cuts through the mix, bringing new life to live vocals. When comparing it to other condenser microphones in the $200 range, it delivers excellent sound, and it will easily become your go-to mic.

Each microphone will react differently depending on the room’s acoustics, cabling, preamp setup, etc. But one thing you can be sure of is that the vocal range of the enCORE 300 is spot-on.

It provides a relatively flat frequency response from 200 Hz to 5 kHz, which falls within the vocal range, making it easier for the sound engineer to fine-tune the EQ to deliver a fantastic performance.

Features

  • It offers a cardioid polar pattern for maximum feedback rejection
  • Premium condenser capsule hand-tuned for vocals
  • The chassis is designed to maximize airflow to deliver a smooth and open sound while protecting the capsule.
  • It offers a unique design that will stand out from other microphones.
  • It comes bundled with a soft-grip microphone clip and a soft-lined storage pouch
  • The condenser capsule is isolated from the chassis using Blue’s proprietary floating mount
  • You can be sure that this mic will last, thanks to its heavy-duty metal construction.

Specifications

  • Capsule Type: Condenser
  • Polar Pattern: Cardioid
  • Its frequency response is from 40Hz — 20kHz
  • Requires Phantom Power
  • The maximum Sound Pressure Level (SPL) is 146dB
  • Output Impedance: 25 ohms
  • Sensitivity: 11mV/PA
  • Weight: 0.38 kg (0.84 lbs.)

Pros

  • The enCORE 300 delivers exceptional details and dynamics.
  • With this mic, it’s easy to get a clear voice as it doesn’t need too much EQ to fine-tune it
  • Its top-end response is smooth, delivering enough brightness without being harsh
  • The mid frequencies are relatively flat, and the lows are warm without being heavy or boomy
  • This mic works well on a broad range of voices, whether it is being used by a male or female performer

Cons

  • It can have some handling noise when compared to other mics in the same price range
  • This microphone is a bit on the heavy side which is not a good thing, especially if you need to hold it for hours.

Keep in mind that condenser mics, in general, are more sensitive, and they can pick the most subtle nuances in vocals. What this means is that they are not as forgiving as dynamic mics.

The enCORE 300 and all mics presented in this post will pick any flaw in the performance in detail.

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6. Audix VX5 Condenser Microphone, Super-Cardioid

Overview

The Audix VX5 is a professional handheld unidirectional super-cardioid condenser microphone that is designed to be used in a wide variety of live, studio and broadcast applications.

With its smooth and accurate frequency response, this microphone is known to bring studio-quality sound to your live performance.

It is very resistant to feedback and with its 14mm small-diaphragm capsule it has the ability to handle very high sound pressure levels without distorting the sound.

Thanks to its tailored frequency response curve and high sound pressure level it can pick up the nuances of a good singer as well as handle the strong voice of a powerful singer without sounding distorted or harsh. Highly recommended for female vocals.

The VX5 is manufactured with a precision die-cast zinc alloy body, durable black electrostatic coating finish that ensures years of use even in the most demanding live stages.

Features

  • Premium electret condenser capsule specially designed for use in vocals and acoustic instruments
  • Smooth accurate frequency response with selectable switch for a flat response or bass roll-off.
  • Selectable -10 dB or 0 dB pad (pad is an attenuator switch to decrease excessive signal coming from the microphone)
  • Suited for acoustic music as well as loud stages
  • Acoustically ported steel mesh screen
  • 14mm gold vapor diaphragm
  • Rugged die-cast zinc body
  • Black satin finish
  • Requires +48V phantom power
  • Designed, assembled & tested in the USA
  • 3-year warranty

Specifications

  • Microphone Capsule Type: Pre-polarized Electret Condenser
  • Polar Pattern: super-cardioid
  • Frequency Response: 40 Hz to 16,500 Hz
  • Impedance: 150 ohms
  • Maximum SPL: 140 dB
  • Phantom power requirements: +48 VDC, 3.5 mA
  • Connector: 3-pin male XLR
  • Weight: 8 oz. (277g)

Pros

  • One feature that stands out about this mic is the ability to select between a flat response or bass roll-off. If the flat response is selected, you will get a relative horizontal frequency response between 200Hz and 2kHz. This could help people with voices that are nasal, raspy or boomy to flatten out their sound before equalization so that a more natural EQ could be performed on their voice to give it more presence.
  • With the flat response switch selected the microphone can deliver detailed, ribbon-like natural vintage sound but with crisp and clear highs.
  • Also, by having the flat response switch selected makes the microphone more versatile because it can be used to capture acoustic instruments such as guitar, woodwinds, brass, percussion toys, drum overheads, hi-hat, and piano.
  • By selecting the bass roll-off, there will be a 10dB decrease on the frequency response between 50Hz and 500Hz which would help to counteract the proximity effect of the microphone. Just to clarify, proximity effect is an increase in the volume of bass frequencies as source sound gets close to the microphone.

Cons

  • It is not as rugged as the Shure Beta 87A or the SM86.
  • The pickup capsule is highly sensitive and needs to avoid extreme temperatures and moisture because it can adversely affect the sound performance.

This is one of the best live condenser vocal mic available in the market under $300. It is one of the best sounding mics that is tailored for both vocals and acoustic instruments.

It is very versatile and offers you a lot of gain before feedback thanks to its super-cardioid pattern.

The VX5 can effectively be used in studios as well as in live stages delivering crystal clear sound emphasizing on vocal nuances for experienced singers as well as capturing distortion-free performances from very loud singers.

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7. Sennheiser e865 Lead Vocal Condenser Microphone

Overview

Widely acclaimed for being sensitive to every nuance and tough on the road the SENNHEISER E865 is a professional super-cardioid condenser vocal microphone utilizing the best in condenser microphone technology to achieve high sound quality.

No matter whether it’s quiet or loud, far away or right up close: the e865 makes every sound silky smooth and warm.

The highly sensitive membrane picks up the finest vocal nuances and conveys even extreme dynamics into the signal chain with ease.

Even when the lips at some distance from the capsule, the e865 delivers consistent sound quality. It combines the professional qualities of the condenser capsule with the rugged design of the 800 series.

On the one hand, It works perfectly good for presenters and speakers that allows precise reproduction, even of plosive sounds.

Features

  • High-quality condenser capsule tailored for speech and vocals.
  • Supercardioid polar pattern for excellent feedback rejection.
  • Natural reproduction with emphasized presence.
  • Consistent sound quality (varying distances, moving off-axis).
  • Distortion-free reproduction even at very high sound pressure levels.
  • Optional silent on/off switch (only available on the S-version e865s)
  • Low sensitivity to handling noise.
  • Rugged metal housing
  • Includes carrying pouch and microphone clip.

Specifications

  • Microphone Capsule Type: Pre-polarized Electret Condenser
  • Polar Pattern: super-cardioid
  • Frequency Response: 40 Hz to 20,000 Hz
  • Impedance: 200 ohms (Balanced)
  • Maximum SPL: 150 dB
  • Phantom power requirements: +48 VDC 3.5 mA
  • Connector: 3-pin male XLR
  • Weight: 11 oz. (311g)

Pros

  • This microphone can deliver a crystal-clear silky-smooth tone for both male and female performers. The feedback rejection is great thanks to its super-cardioid polar pattern. Especially good for churches and houses of worship where high definition sound plays an important role in the service.
  • Presenters and speakers will also benefit from this microphone thanks to its vocal tailored frequency response.
  • The e865 microphone can deliver a warm smooth sound for your podcasts or video productions.
  • Your voice is too loud when singing or speaking! No problem, this microphone will deliver distortion-free sound even on the loudest sound sources such as a vocalist of a metal band or a rapper.

Cons

  • This microphone is not tailored to be used in acoustic instruments so basically this is not a universal mic that can be used for different purposes. It is designed to be used for vocalists, backup singers, presenters or speakers.

Vocalists can be assured that this microphone is considered as one of the best live condenser vocal mics on the market in the mid-range price.

It delivers a great crisp sound and is constructed to last a long time in even in most demanding performing stages.

At our church, there are two of these microphones and they still deliver great sound after 6 years of use.

If you are a singer, presenter, preacher, or podcast creator and are looking to buy a great handheld condenser mic, give the e865 a try, you will not regret it.

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8. AKG C7 Handheld Condenser Microphone

Overview

World-renowned microphone manufacturer AKG produces some of the best mics in the market.

Such is the case of the AKG C7 a professional handheld microphone featuring a custom-tuned super-cardioid condenser capsule that is manufactured and assembled using hand-selected components, so your voice is reproduced with natural clarity and accurate highs.

AKG has taken a different approach to reduce feedback, and to do so they have designed an innovative open-space capsule, that uses a specially designed inner-capsule holder and three window ports to reduce air turbulence and reflections at the backside of the capsule.

This creates an extremely consistent super-cardioid polar pattern throughout the entire frequency spectrum, for extraordinary feedback and spill rejection.

Extensive research was done to find the right material that has strong absorption properties to isolate the capsule from the mic’s housing. The result is a proprietary mechano-pneumatic shock absorber suspension that ensures the lowest possible handling noise.

The capsule sits on top of a unique rubber insert, preventing vibrations from the housing from reaching the capsule.

Features

  • 3/4” medium size custom-tuned condenser capsule that delivers studio-quality sound in a handheld mic.
  • AKG proprietary open-space capsule design providing impressive gain before feedback.
  • Proprietary mechano-pneumatic shock absorber suspension to protect against handling noise.
  • Multilayer pop noise protection keeps plosives at the lowest levels.
  • Rugged full metal body constructed of zinc alloy with spring steel grille to ensure long life of use.
  • 24-Karat gold-plated capsule for maximum resistance to corrosion and humidity.

Specifications

  • Microphone Capsule Type: Pre-polarized Electret Condenser
  • Polar Pattern: super-cardioid
  • Frequency Response: 20 Hz to 20,000 Hz
  • Impedance: 600 ohms (Balanced)
  • Maximum SPL: 150 dB
  • Phantom power requirements: +48 VDC 3.5 mA
  • Connector: 3-pin male XLR
  • Weight: 11.2 oz. (317g)

Pros

  • The AKG C7 has been designed to deliver precise sound. The high frequencies never sound harsh or too bright, the mid frequencies capture a warm sound and the bass doesn’t sound boomy.
  • The frequency response curve clearly shows a flat response between 200Hz and 2000Hz with a slight increase between 2500Hz and 5000Hz. At 10kHz there is a gain of 6dB. From there the frequency rolls off towards 20Khz.
  • What this means in terms of sound is that with the C7 your voice is captured and sent to the mixing board or interface very natural and precise. It needs very little equalization which translates to more real and natural performance.
  • Some microphones exaggerate the highs or are too strong in the lows, this is not the case with the C7, it is very consistent through the full range. Highly recommended for people with soft voices where nuance is required.
  • Thanks to its high sound pressure levels it can be used for singer with strong voices as well such as sopranos, tenors, or baritones, but the singer should be aware that when singing they should change the distance between the mouth and microphone so that the dynamics of your voice is not affected by the proximity effect. 

Cons

  • Might not suit every vocalist, if you don’t like flat sound you might want to consider something else. But keep in mind that if you get a flat response from a microphone it is possible to adjust it with EQ.

The AKG C7 is hailed by many singers as one of the best live condenser vocal mic available in the market, it has many good features and you can be assured that the rugged build quality will withstand the abuse of live stages.

The sonic characteristics will meet or exceed your expectations thanks to its very carful design taking into consideration many factors.

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9. Earthworks SR40V

Overview

Getting a consistent vocal sound in any venue is not an easy task because many factors can affect the performance. The same EQ that works perfectly well in one venue could be a nightmare on the next.

One thing that helps to get consistent sound is using a microphone that doesn’t add coloration to whatever is placed in front of it.

You want a mic that is as flat as it can be so that you decide the coloration and EQ depending on the venue where you are performing.

Of course, the EQ will be different each time, but you can fine-tune the equalization until your sound is consistent by starting with a flat response.

The Earthworks SR40V provides you with just that. Its frequency response is so flat that it is almost unbelievable. From 100 Hz to 20 kHz, it is as neutral as it can be, enabling you to EQ your vocals to precisely what you want.

Features

  • It offers an almost perfect hypercardioid polar pattern that is very consistent, which helps to avoid feedback problems on stage
  • The SR40V is phase and time coherent, meaning that the source’s sound and the signal coming out of the mic are identical waveforms with no time discrepancies. This makes it ideal for performers that use in-ear monitoring systems
  • It delivers lightning-speed transient response making it a high-speed microphone. In case you don’t know, the transient response is how fast a microphone diaphragm responds to fast peaks in sound. The Earthwork SR40V delivers the fastest transient response of any vocal mic available in the market today
  • Thanks to its flat response, the front of house engineer has a clean canvas to add the necessary sound coloring and deliver a spotless EQ depending on the voice that’s put in front of it
  • Works great for female singers and males with tenor voices. Because condenser mics are usually boosted on the higher frequencies to provide clarity, the end result can be a harsh sound if you have a bright voice. The SR40V doesn’t boost the high-end frequencies, making it the perfect choice for voices that tend to be excessive on the higher end frequencies
  • The chassis is made from stainless steel to ensure long life operation
  • It comes bundled with a microphone clip and a protective fabric bag
  • Each capsule and output circuitry are handcrafted and matched to deliver high-definition detail and optimum performance

Specifications

  • Frequency Response: 20Hz – 40kHz
  • Polar Pattern: Cardioid
  • Sensitivity: 10mV/Pa (-40dBV/Pa)
  • Requires Phantom Power
  • Maximum input Sound Pressure Level (SPL): 145dB
  • Output connector: XLR-3M
  • Minimum Output Load 600Ω, balanced between pins 2 & 3
  • Dimensions Length: 7.25 in. (184mm), Max dia: 1.95 in. (55.3mm), Min dia: .97 in. (27.5mm)
  • Weight: 0.80lb (363g)

Pros

  • It picks EXACTLY what it’s put in front of it
  • Works great for recording as well
  • Thanks to its polar pattern, it does pick surrounding sounds, making it perfect for live environments
  • It was designed for vocals delivering an excellent response.
  • People with bright voices will sound beautifully with this microphone because it doesn’t boost the high-end frequencies by nature.
  • Made in the USA with high-quality standards

Cons

  • It’s a bit pricey, but if you want high quality live vocals, you need to spend the money

Earthworks SR40V Sound Demostration

With the Earthworks SR40V, you will get studio-like quality sound in live performances, making your audience appreciate the performance’s nuances and crisp detail.

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10. Neumann KMS 105 MT Condenser Microphone.

Overview

The Neumann KMS 105 is at the top of our list as the best professional live condenser vocal mic. It delivers Neumann studio sound quality on a live stage.

It is equipped with top of the line electronic components starting with its precision manufactured condenser capsule using only the best of materials. It has a slick luxurious look and is lightweight.

The microphone is very rugged built to withstand live stages. It has a thick-walled metal housing that protects the internal circuitry and a head grille made of hardened steel that features a carefully designed multi-level pop filter made of wire gauze.

Unlike regular microphones that use foam as a pop filter causing vocals to sound opaque and foggy, the KMS 105 acoustic filter doesn’t cause any sibilance problems or compromise the capsule’s directivity.

The impedance matching on this microphone is done electronically, making it transformerless, reducing electromagnetic interference, thus eliminating hum noises.

Thanks to its very low output impedance if you need a long cable run up to 1000 ft (300 m) there will be no transmission losses.

Features

  • Precision condenser capsule for crystal clear vocal sound.
  • Transformerless output for less electromagnetic interference and hum noise.
  • Very low impedance for long cable runs without loss.
  • Neumann studio-quality sound for vocals or speech on a live stage.
  • Without off-axis coloration
  • Supercardioid polar pattern for exceptional feedback rejection and off-axis coloration
  • Effective pop shielding without losing sound quality
  • Includes nylon carrying bag and stand mount.
  • Requires +48V phantom power
  • Capable of handling extreme sound pressure levels
  • Rugged construction
  • Built-in pop screen
  • Very low handling noise

Specifications

  • Microphone Capsule Type: Pre-polarized Electret Condenser
  • Polar Pattern: super-cardioid
  • Frequency Response: 20 Hz to 20,000 Hz
  • Impedance: 50 ohms (Balanced)
  • Maximum SPL: 150 dB
  • Phantom power requirements: +48 VDC 3.5 mA
  • Connector: 3-pin male XLR
  • Weight: 10.6 oz. (300g)

Pros

  • When it comes to the sound characteristics of the Neumann KSM 105 it has a low-frequency roll-off starting at 200 Hz and decreasing towards 0 dB at 50 Hz. What this means in simple English is that this microphone decreases the bass sound if you sing close to it resulting in a clean
  • It has an extremely flat response from 200 Hz to 2 kHz and a delicate increase of less than 2 dB between 2kHz and 5Khz producing natural sound capturing the nuance in the performance.
  • Thanks to its sensitive diaphragm it can capture a vastly superior transient response resulting in a more immediate, more emotional vocal sound.
  • Just to clarify, the transient response of a microphone is how fast can the membrane or diaphragm responds to a high peak of sound in a short duration. An easy example of a high-level peak sound could be a hand-clap. A condenser microphone has a very fast transient response, unlike dynamic microphones that have a heavier membrane which slows down its response.
  • Out of many reviews, 98% give it 5/5 stars from professional to beginner singers. Ideal to be used for soloist in bands, churches, houses of worship, etc.
  • The KMS 105 is designed to be used as a vocal microphone but thanks to its frequency response, wide dynamic range, and high sound pressure level it can be used for other stage applications such as percussion, saxophone, trumpet, trombone, harmonica, acoustic guitar, and guitar cabinets.
  • Its superior sound quality makes this microphone also a great choice for home recording studios and broadcast applications. Thanks to its optimized close mic placement and low proximity effect, the KMS 105 will pick up a dry sound with very little ambiance, which is a big advantage in untreated rooms.

Cons

  • Very few people have reported that depending on the stage it could feedback easily. This can be argued because monitor placement plays an important role in the microphone’s feedback.
  • The price tag is high, some users have argued that there could be a cheaper mic with the same sonic characteristics.

Neumann KSM 105 Sound Demonstration

Video Credits: Portal dla Wokalistów

The Neumann KSM 105 is the best professional live condenser vocal mic delivering studio-quality sound in live stages.

Thanks to its frequency response, dynamic range and high SPL this mic can be also used for miking many acoustic instruments with excellent results.

If the price tag is within your budget, I highly recommend this microphone for a female or male vocalist who wants a clear, crisp, uncolored sound that is very sensitive to vocal nuance as well as very responsive transients.

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Best Live Condenser Vocal Microphone – Buyer’s Guide

When selecting a condenser mic for live performances there are few aspects that need to be taken into consideration, these aspects are polar pattern, frequency response and response curve, maximum sound pressure level or SPL.

Let’s take a closer look at each one of them.

Polar Pattern

The polar pattern of a microphone is basically a representation of how well a mic can pick up the sound coming at it from different directions. This is also called directionality.

We are used to seeing polar patterns in brochures and manuals as two-dimensional characteristics, but they are three-dimensional.

There are 7 polar patterns: omnidirectional, cardioid, subcardioid, super-cardioid, hyper-cardioid, bi-directional, and shotgun.

Which one would be the best polar pattern for live condenser vocal microphones? let’s look at each one of them to answer this question.

Video Credits: Recordeo

Omnidirectional

This type of microphone can pickup sound from all directions having equal sensitivity at every angle. It has a 360-degree coverage angle and 100% ambient sound sensitivity.

This is disadvantageous in live stages since they are easier to feedback because the microphone can’t be aimed away from loudspeakers.

graph representing the pickup pattern of an omnidirectional microphone.

Cardioid

Microphones with this pattern are most sensitive in front and less sensitive in the back making it ideal for live stages where there is some noise in the background.

It has a 131-degree coverage angle and 33% ambient sound sensitivity. They are less prone to feedback due to these characteristics. This type of pattern is the most common in live stages.

graph representing the pickup pattern of a cardioid microphone

Subcardioid

This pattern has a wider coverage angle and a higher percentage of ambient sound sensitivity, basically falling in between omnidirectional and cardioid polar patterns.

For these characteristics, microphones with this polar pattern don’t perform well in live situations, especially if using condenser capsules.

graph representing the pickup pattern of a subcardioid microphone

Supercardioid

A microphone with this polar pattern has a narrower pickup angle in the front providing more rejection to ambient sound.

To be more specific, it has a 115-degree coverage angle and 27% ambient sound sensitivity. These characteristics make it ideal for a live condenser vocal microphone.

graph representing the pickup pattern of a supercardioid microphone

Hypercardioid

This pattern has a narrower pickup angle than super-cardioid rejecting more ambient sound and reducing feedback. It has a 105-degree coverage angle and 25% ambient sound sensitivity.

These polar characteristics make it also ideal for live condenser vocal microphone.

graph representing the pickup pattern of a hypercardioid microphone

Bidirectional

This polar pattern I also known as figure 8, and basically it picks up the sound from both the front and the rear. It has a 90-degree coverage angle and 33% ambient sound sensitivity.

This pattern is not recommended for live condenser vocal microphones, they are mostly found in ribbon mics, and large-diaphragm studio mics used for specific purposes.

graph representing the pickup pattern of a bidirectional microphone

Shotgun

Also known as lobar polar pattern this would be the narrower of all making it the most highly directional mic rejecting sounds from other directions.

This type of microphone is mostly used in tv recording, film sets. Definitely not intended to be used for live vocal purposes.

graph representing the pickup pattern of a shotgun microphone

In summary, when choosing a live condenser vocal mic, you want to select one that is either cardioid, super-cardioid, or hyper-cardioid. But the most recommended for live condenser mics are super-cardioid and hyper-cardioid, these polar patterns perform well in live stages.


Frequency Response and Response Curve.

graph showing the frequency response curve of a microphone

When selecting a microphone, it is important to know its frequency response. Most modern microphones have a frequency response between 20HZ and 20kHz. But this information is not enough because this only tells one side of the story.

We need to know how a microphone performs over the full frequency range. This is where the response curve comes in. The graph shows you how a specific microphone performs at all frequencies between 20Hz and 20kHz.

A microphone’s frequency response measures the intensity of sound at each frequency and it is measured in dB (decibels). It starts at 0dB on the lowest frequencies (less than 20Hz) and drops back to 0dB at the highest frequencies (above 20kHz).

It should be noted in the response curve that depending on where the peaks or higher intensity of sound are throughout the frequency response is what gives a certain sound characteristic to a mic and what makes a microphone suitable for a specific purpose

For example, a mic intended for vocals should have a relatively smooth response in the mid frequencies with a subtle spike in the upper midrange frequencies resulting in smoother reproduction of voices.

Video Credits: Podcastage

Maximum Sound Pressure Level or SPL.

The maximum sound pressure level or Max SPL for short is the maximum volume a mic can withstand without starting to distort the sound. It is measured in dB (decibels).

Most modern condenser or dynamic microphones range between 100dB – 150dB. When choosing the best live condenser vocal mic make sure that it falls between that range. 


Frequently Asked Questions About Condenser Microphones

Can you use a condenser mic for live vocals?

Yes, condenser microphones can be used for live vocals. They are actually a good choice if you want detailed and clear sound from your vocals.

For experienced singers and vocalist, condenser mics are a popular choice but keep in mind that because they provide clearer sound this type of microphones are less forgiven with inexperienced vocalists.

Are condenser mics good for live performance?

Yes, condenser mics are good for live performance because they can capture clearer, detailed, and fuller sound. This type of mic is often used in live performances for vocals because they can capture the finest details in performances.

What type of microphone is best for live vocals?

For live vocals there is no such thing as the best one, as the idea of one size fits all. It all comes down to the sound tone you want, the environment where you are performing and mic that better captures your voice.

If you want clear high definition sound a condenser could be the right one for you. If you want a vintage sound, a ribbon mic would give you that result. If you want a microphone that reproduces transients less accurately then a dynamic would be the best choice.

Are condenser mics better than dynamic?

Not necessarily. Condensers and dynamic microphones are two different types of microphones. Each one has unique sonic characteristics. It all comes down to the kind of sound you are looking for.

If you want a crisp, clear sound and be able to pick up the finest details of the performance, then you should choose a condenser mic.

If you want a sound that delivers a clear upper midrange warm sound, then a dynamic microphone like the Shure SM58 should be your choice.

Is the SM58 a condenser mic?

No, the Shure SM58 is a dynamic microphone that provides good sound quality. They are also known to be very robust. It is one of the industry standards when it comes to live performance.

Does a condenser mic need phantom power?

Yes, all condenser mics need phantom power to work. Phantom power is +48VDC provided by the mixing console, mic preamp, or audio interface. This voltage is needed so that the internal circuitry in the mic can function.

What polar pattern is best for vocals?

The best polar pattern for vocals is cardioid and it is also the most popular. But keep in mind that a polar pattern should be chosen depending on the environment where you are performing and on the results you want.

For example, if you are singing in a live stage where there are many instruments, speaker monitors and other vocalists, the best choice would be a super-cardioid or hyper-cardioid. The reason is because these two patterns have a narrow pick up angle and more rejection to ambient sound which translates in less noise and less feedback.

Best PA System for Acoustic Guitar and Vocals

When you are a singer who plays an acoustic instrument as accompaniment, you need a sound reinforcement system that is not cluttered with unnecessary equipment that degrades your music’s quality and essence.

You need a lightweight system that is easy to set up and provides excellent sound quality so that your audience can hear, enjoy and appreciate your performance. Therefore, it is important to choose the right pa system depending on what it will be used for.

With the vast selection of PA systems available in the market with different price ranges and sonic characteristics, how do you know which one is the best PA system for acoustic guitar and vocals?

If you want the short answer, the best pa system for acoustic instruments and vocals are:

  • Bose L1 Pro8
  • Fishman SA330x Performance Audio System
  • JBL EON One Compact
  • Bose S1 Pro

In the following article, I will explain why these choices are the best. First, I present a few aspects that are vital for choosing the right system. Then I review each system in more detail to have a clear understanding of what they offer. Let’s get started.


The Best PA System for Acoustic Guitar and Vocals – Buyer’s Guide

Several factors need to be taken into consideration when selecting a PA system. Still, to make this article straight to the point, we will focus only on four factors: tonal accuracy, sound linearity, tuning, and build quality.

Tonal Accuracy

This term is widely used in the recording industry and the car audio industry because it’s used to measure the sonic quality of an audio system.

In simple terms, it can be defined as the ability of an electronic sound system to accurately reproduce a live performance or recording without coloring the sound and changing it.

Of course, the quality of the microphone being used and equalization play an important role in how a performance sounds. Still, a key factor would be how the system was designed and constructed to have the ability to reproduce a sound as accurately as possible.

The best pa system for acoustic guitar and vocals should have the ability to reproduce the performance as detailed as possible.

Sound Linearity

Sound linearity is an important factor that needs to be taken into consideration when choosing a PA system.

It refers to the balance a sound system has at low, medium, and high volumes. For a system to have good linearity, it must reproduce sound accurately at all three loudness levels.

When a professional sound reinforcement system is installed in a stage or arena for a concert, sound engineers have the challenging task of installing the system so that there is linearity throughout the space of the concert hall.

This is because people sitting close to the front where speakers are located will be blasted away with high volume levels. In contrast, people sitting in the back will not be able to hear the music clearly. Therefore linearity is needed so that sound waves can be evenly distributed throughout the space.

It is important to keep in mind that sound levels tend to decrease in the outdoors because sound reflections decrease.

This is why it is important to have a PA system that can project sound evenly and with enough loudness (SPL) to fill the venue.

Tuning

When a PA system is designed, many elements could impact the quality of the sound. The materials used to build the enclosure and the circuitry’s design can have repercussions on the sound.

When designing the system, the speakers, audio components, equalization, and amplification circuitry are tuned to meet specific audio requirements.

For example, headphone manufacturers such as Bose tune their products to reproduce music with balanced bass, mid, and high frequencies, emphasizing higher frequencies.

In contrast, Beats headphones are tuned to be bass-heavy, regardless of the music you are listening to.

There are different preferences when it comes to sound. Some people might enjoy heavy bass sounds, so for them, a system that delivers higher emphasis at the lower frequencies would be considered the best sound system.

Others who appreciate the detail in sound might prefer a system that can deliver more detail in the mid and high frequencies.

Build Quality

When choosing a PA system, you need to pay attention to the build quality. The better the components the manufacturer uses, the better the overall quality of the equipment will be. This fact is important when choosing a portable system.

The system should be Strong, lightweight, good-looking, and easy to set up. Appropriate for all kinds of situations.


Bose L1 Pro8 Portable Line Array System

Are you ready to wow your audience by delivering high-definition, detailed sound in your next performance? If that’s the case, you need the Bose L1 Pro8 portable line array PA system.

It is lightweight, easy to transport, and best of all, it takes only a few minutes to set up and tear down.

Plus, it gives you the freedom to control the unit from the L1 Pro Mix App.

Want to stream music from your phone or table? No problem, it can do that too.

If you are a singer/songwriter looking for the best portable PA system for acoustic guitar and vocals that delivers exceptional sound, look no further than the Bose L1 Pro8.

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Features

  • It distributes sound evenly throughout the venue thanks to the 8-driver, C-shaped array delivering a 180-degree horizontal coverage.
  • This portable PA system delivers more bass in your performance without the bulk. The built-in subwoofer it’s a 7” x 13” high excursion driver, designed with a slim racetrack for a smaller footprint. Don’t be fooled by the small size of the subwoofer; it packs a pretty huge punch.
  • The system comes with two Class-D amplifiers delivering a total of 300 Watts RMS. A 60-Watt amp powers the 8-driver line array, and a 240-Watt amp powers the subwoofer. This translates into a total loudness of 118 dB peak, making it ideal for small to medium venues.
  • The Bose L1 Pro system comes with a 3-channel built-in mixer that allows you to plug in various instruments, microphones, and other audio sources. Plus, it can be controlled wirelessly from your phone or tablet via the L1 mix app.
  • The mixer offers EQ, quality effects such as reverb, phantom power – for connecting condenser mics, along with a few ToneMatch presents for easy equalization.
  • It also offers Bluetooth connectivity for music streaming
  • With the Bose L1 Pro8, you’ll get a lightweight system with practical portability – breaking down into a few easy-to-carry pieces that include speaker array, array extension, subwoofer stand, and power cord. Ultra-portable,
  • Tonematch port for easy mixer connection.

Specifications

High Frequency Drivers:               

8 x 2" C-shaped array

Subwoofer:                                       

7" x 13"

Input Channels:                             

3

Phantom Power:                     

Yes +48V

EQ:                                                       

2-band EQ

Inputs:                                                

2 x XLR-1/4" combo, 1 x 1/8" (aux), 1 x 1/4" (aux)

Outputs:                                            

1 x XLR (DI)

Bluetooth:                                       

Yes

I/O:                                                       

ToneMatch cable

Total Power:                                     

300W – 60W Class D (array), 240W Class D (sub)

Frequency Response:                   

45Hz-16khz

Control App:                                    

Bose L1 Mix app

Dimensions:                                      

H 78.9" (includes array) x W 12.5” x 17.3”

Weight:                                                

39.8 lbs.

Pros

  • You’ll get high-definition sound from a lightweight, easy to carry, easy to set up portable PA system
  • Few cables to connect
  • It offers phantom power, EQ, effects, and Bluetooth streaming.
  • Easily fills small to medium-sized spaces
  • Perfect for small outdoor events

Cons

  • Some people complained that the spacer is a bit shaky

The Bose L1 Pro8 can be considered the best PA system for acoustic guitar and vocals. This unit delivers excellent flexibility, convenience, portability, and outstanding performance.

The product is excellent, the reviews are fantastic, and the price is just right. You should give it a try.

For a full, detailed review of the Bose L1 Pro8, click here

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Fishman SA330x Performance Audio System Review

There are many PA systems available in the market today that promise a lot but underdeliver.

The SA330x is a rugged, lightweight, good-looking, and easy to set up PA system perfectly tuned for vocals and acoustic instruments, appropriate for all your acoustic amplification needs.

Designed by Fishman, this system is built around a uniquely configured 2-way line array speaker system that delivers crystal clear sound performance aimed for live performance of vocals and acoustic instruments.

It is the perfect solution for amazing sound in small and medium-sized venues, corporate displays, clubs, or similar sized venues with excellent sound quality.

The SA330x can be used alone for a solo gig, or it can be expanded as a part of a bigger sound reinforcement system.

It provides the flexibility of linking two or more SA330x together and adding the Fishman 300W SA Subwoofer specially designed for the SA330x PA system to accentuate the lower frequencies and provide a fuller sound.

If more than two channels are needed for an acoustic band, you can install your preferred audio mixer or use the Fishman SA Channel Expander/Mixer specially designed for the SA330x to add 4 more channels.

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Sound Accuracy

The Fishman SA330x is designed using Six 4″ mid-woofers that reproduce midrange frequencies accurately thanks to its patented dual gap, high excursion design, with neodymium magnets.

To reproduce the high frequencies, this system uses one 1″ neodymium soft dome tweeter with its level control to fine-tune the high frequencies’ volume. The system’s frequency range goes from 71 Hz to 20 kHz.

The SA330x features a uniquely configured 2-way speaker system that delivers all the sweetness and definition of a great studio monitor, but in a live stage.

Fishman designed the speakers and tweeter to have a wide dynamic range and reproduce the full range of frequencies of acoustic instruments and vocals.

It Delivers a Balanced Sound

The six mid-woofers in the Fishman SA330X are installed in a modified line array configuration capable of filling the room with sound that can be heard loud and clear in the back row, without “blowing away” the audience in the front.

This system can deliver detailed sound at impressive volume levels while providing balanced audio throughout small to medium-sized venues for audiences between 80 and 160 people.

This PA system can also be used outdoors, delivering detailed crystal-clear sound to your audience.

However, even though the overall volume decreases, this system can still deliver good volume for venues between 80 to 120 people in outdoor events such as weddings, gatherings, etc.

Build Quality of the SA330X

Fishman designed the SA330x using modern industrial techniques. The enclosure is made of extruded aluminum, making it very strong and lightweight.

The speakers and tweeters use powerful neodymium magnets instead of regular ferrite magnets, making the system lightweight when compared to traditional systems that use ferrite magnets.

These magnets are smaller and lighter than ferrite magnets but have stronger magnetic fields, making each speaker smaller, lighter but delivering a lot of sound power.

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Features:

  • Portable PA system perfect for a gigging solo musician for small to medium-sized venues.
  • With its modified line array speaker design, everyone in your audience from front to back will hear you clean and crisp, without overwhelming the front row listener with high volumes to fill the room.
  • The Fishman SA330X is designed from scratch and accurately tuned specially for voice, playback, and amplified acoustic instruments.
  • 2-way system with six 4″ woofers and one 1″ dome tweeter with a built-in tweeter volume knob to control the amount of brightness coming out of the tweeter.
  • The speaker system is bi-amped meaning that it has two amplifiers inside, one for the mid-woofers of 280W RMS and one amplifier for the tweeter of 50W RMS for a total of 330W RMS driving the system.
  • Capable of an impressive 113dB SPL at 1m.
  • Built-in reverb effects.
  • 2 mic/instrument channels with XLR/TRS combo inputs.
  • 3-band EQ per channel.
  • Phantom power available on each input channel to use it with any condenser microphone or instrument pickup.
  • High-quality Fishman preamps for detailed, low-noise sound.
  • Balanced XLR DI outputs for input channels and main mix.
  • Footswitch input for controlling Channel Mute and Reverb Mute (footswitch not included).
  • Phase and Notch filters help prevent feedback.
  • Aux Stereo Input to make it easy to connect a music player.
  • Includes tripod stand and padded carry bag.
  • Input channels can be expanded via accessory port – Provides one-cable audio and power for the SA mixer Expand.
  • Subwoofer output – Dedicated output optimizes system voicing.

Technical Specifications:

Input Impedance:

  • 1/4” Input 5M Ohm
  • XLR Input 3k Ohm Balanced
  • Aux Input (stereo) 10k Ohm

Tone Controls and Anti-Feedback:

  • Low ±12.5dB @ 50Hz (resonant)
  • Mid ±10.5dB @ 750Hz (resonant)
  • High ±12.5dB @ 10kHz (shelving)
  • Anti-Feedback range -14dB @ 15Hz – 330Hz (Hi-Q resonant notch)

Channel 1 & 2 D.I. Output:

  • Output Impedance 600 Ohm balanced
  • Phantom power tolerant, ground isolated

Mix D.I. Output:

  • Output Impedance 600 Ohm balanced
  • Phantom power tolerant, ground isolated

Sub Output:

  • Output Impedance 600 Ohm balanced
  • Phantom power tolerant, ground isolated

Speaker System:

  • Woofer Six 4” patented dual-gap with neodymium magnet
  • Tweeter 1” soft dome, neodymium magnet
  • Tweeter Level Up to 6dB cut @ 10kHz
  • Crossover Bi-amplified with active crossover
  • 100Hz High-pass filter when Sub Out connected

Amplifier:

  • Woofers 280W RMS; 484W peak
  • Tweeter 50W RMS; 100W peak
  • Frequency Response 71Hz – 20kHz
  • Power Consumption: 300W max

Physical:

  • Dimensions:  41.4” H x 5.5” W x 6.7”D

                        105.2cm H x 14.0cm W x 17.0cm D

  • Weight 20lbs (9.1 kg) without stand and carry bag

Pros:

  • The SA330x gives the full, pure acoustic sound of miked acoustic instruments such as guitar, violin, harp, cello, mandolin, etc.
  • Very quick and easy setup and breakdown.
  • The complete system with a tripod stand and padded carry bag is a bit over 20 lbs, very lightweight. The upgraded system with added SA subwoofer and SA channel expander is less than 55 lbs.

Cons:

  • The included padded carrying bag is not of the best quality and it doesn’t have the space for the tripod and power cable. Fishman offers a deluxe carrying case for $150 that has the space for all the accessories.
  • Deluxe carrying case is expensive.
  • It doesn’t have Bluetooth capabilities.

Testing the Fishman SA330x by a Musician

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Alternative PA Systems for Acoustic Guitar and Vocals.

If the the Bose L1 Pro8 and Fishman SA330x PA systems are outside your budget, here are three more affordable alternatives that deliver excellent sound and are portable: the JBL EON One Compact, and the Bose S1 Pro. Let’s take a closer look at each one of them.

JBL EON One Compact

The JBL EON One Compact is a Bluetooth PA system designed for optimal performance in the smallest possible package. It boasts a wealth of features, which are suitable for a variety of different purposes.

If you are a singer-songwriter performing indoors or outdoors, then this is easily one of the best PA systems for guitar and vocals.

This system is perfect for those that need something compact but still packs a punch with a healthy dose of sound.

The Bluetooth functionality allows you to hook up your mobile devices to blast music through the speakers. Honestly, for the price, you really aren’t going to get anything better than this.

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Features

One of the reasons why this JBL is one the best affordable PA system for acoustic guitar and vocals is due to the massive number of features that have been packed into such a small bit of kit.

These features are more than enough to whet the appetite of both casual and professional users alike. Not bad for something that weighs just 8kg, right? Let’s go over the ones that we are 100% positive you are going to love the most.

One of the real thrills of the JBL EON One Compact is that you can take it pretty much anywhere you want. Despite the amount of power this bit of gear boasts, the lithium-ion battery will last a whopping 12-hours. More than enough to get you through a party or a big outdoor gig.

Has your battery gone? No worries! It charges up again in just a short 2.5-hours. Plus, the batteries are also swappable for the minimum amount of fuss during those more extended uses.

You can even ‘leech’ off of that battery life. The JBL comes complete with two USB3 ports. This means that you can plug in your USB devices and charge them. Perfect if you are taking your smartphone or tablet outside, ready to blast your music.

To hook up a guitar and microphones, this speaker boasts several ports, meaning that you can quickly hook up your instruments for brilliant outdoor performances:

  • 2 x XLR/TRS
  • 1/4″ jack for your guitar
  • 3.5mm input
  • Headphone output

If you use a condenser microphone, don’t worry because the JBL offers phantom to power all of your condenser mics. Phantom power, is incredibly rare in portable set-ups like this one. In fact, it is rare in most PAs at this price point.

You also have full control over the volume of each of the inputs (if you are using them all) for optimal sound mixing.

This means that you should be able to get the perfect balance on your acoustic instruments and vocals, which means your listeners can listen to the best sound possible.

Just because this is a portable PA, it doesn’t mean that JBL has skimped on the traditional PA features. It comes with several controllable effects built into the speaker for the ultimate crafting of your sound (reverb, delay, etc

It also comes with a companion app where you can store all your settings. Just pair the speaker via Bluetooth when you are setting it up, and all of those effects are saved, meaning that you can deliver the same sound experience time and time again.

This portable PA system works as both a vertical PA and a monitor too. So, you can get the perfect set-up no matter what you are planning to do with your JBL EON One Compact.

It is no surprise that many people pick up a couple of these speakers to pair them and get stereo sound.

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Sound Performance

At the heart of the JBL EON One Compact, you have an excellent 8-inch woofer that can hit a massive 112dB. Honestly, you will be in awe at how something so small can get so loud.

This is more than enough power to fill up a small room with sound or even entertain 80+ people outside.

Get a couple of these speakers, and you will be able to enjoy loudness akin to some of the larger (and way more expensive) PA systems on the market.

If you love your sweet bass, you will love the fact that this bit of kit goes all the way down to 37.5 Hz. JBL claims that this is far lower than similar portable options on the market. Your music is simply going to sound better.

Of course, your acoustic guitar is unlikely to be able to hit bass levels like this, but it is still great to have the range. It ultimately means everything will sound better, and that is always going to be a good thing.

If you want the perfect companion to your voice and acoustic guitar, then this option is great if you have a smaller budget.

The maximum volume, and the crystal clear quality of the sound this pumps out, means that each note you play and sing can be heard. This is the best way to perform your music the way it deserves to be heard.

For a full, detailed review of the JBL EON One Compact, click here


Bose S1 Pro Speaker System

The S1 Pro PA system is a perfect match for soloist musicians using acoustic instruments. This fully loaded, rugged, easy to setup powered speaker is very lightweight, just 15.7 pounds (7.1 Kg).

The good thing about this speaker is that it delivers wide even coverage dispersing the sound not only through the front but on the sides of the enclosure filling the room with a rich, clear sound evenly distributed to an entire room.

It has two independent channels with EQ, reverb and Bose’s proprietary ToneMatch technology that helps microphones and guitars sound natural, while Auto EQ adjusts the system tone automatically for great sound in any position.

It also includes a third channel with auxiliary input and one-touch Bluetooth pairing to stream music from your devices. This system doesn’t have phantom power.

The S1 Pro PA system can be chosen with a factory-installed rechargeable Li-ion battery that gives you unmatched portability with a playback time of up to 11 hours depending on the volume. Its built-in handle makes it very easy to take it about anywhere.

For a full, detailed review of the Bose S1 Pro, click here

Testing the Bose S1 Pro Live by a Musician

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Conclusion:

If you are a soloist that plays an acoustic instrument for accompaniment and is looking for the best PA system for acoustic instruments and vocals, make no mistake and get the Bose L1 Pro8 or any other option presented in this article.

These systems are specifically designed and tuned for vocals and instruments and they delivers a clear, loud sound that will impress you and your audience.

Thanks to its modified line array speaker system the sound is widely dispersed in the room providing a linear sound dispersion throughout the venue. This system will be perfect for small to mid-sized venues.

The build quality of this system is excellent and you’ll be assured that it is going to last for a long time.

Setting it up and tearing it down is fast and easy, for this and many more reasons the Bose L1 Pro8 is hands down the best PA system for acoustic guitar and vocals.

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