Buyer's Guide

Selecting the best set of strings for your violin is not an easy task because nowadays there are so many brands, core materials, tensions and characteristics that make it difficult to know which one will sound the best.

The truth is that there is no way to know how a set of violin strings are going to sound unless you install and use them. It is also important to point out that each violin is different even if it’s made by the same luthier or factory because there are many factors that can affect the sound of the instrument.

What this means is that there is no one set of string that is going to sound great on all violins, as one brand of strings can sound great on one violin while not as good if used in another.

The purpose of this article is to present the top 10 best violin strings selected using a set of guidelines to make it easier for you when choosing.

The top 10 best violin strings for 2019 are:

1. D’Addario – Prelude
2. Super Sensitive – Red Label
3. Fiddlerman
4. D’Addario – Helicore
5. Thomastik – Infield Dominant
6. Pirastro – Evah Pirazzi
7. Pirastro – Obligato
8. Thomastik – Peter Infeld
9. Pirastro – Oliv Series
10. Pirastro – Evah Pirazzi Gold

Also, we have included the guidelines used to select each set of strings as a buyer’s guide to provide you with the basic knowledge about the different features and characteristics needed to be taken in consideration so that you can make an educated decision when choosing a set of strings for your violin.

Moreover, featured are some of the frequently asked questions about violin strings, to help the user have a more complete understanding of the subject.

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D’Addario – Prelude

Prelude violin strings are made using a solid steel core. For this reason, these strings are virtually unaffected by changes in temperature and humidity. Thanks to D’Addario’s damping technology these affordable strings produce the warmest sound available in steel core strings at this price range.

When it comes to value, durability, and tone, Prelude is by far the best violin string for beginners. Violin teachers prefer this string for their students when they are in the beginning stages of violin playing.

Key Features:

• Designed with quick bow response and ease of use in mind.
• Optimized solid steel core that delivers the warmest-sounding student strings available.
• Educator’s preferred choice for student strings because they are economical, durable and provide the right tone.
• More pitch-stability means less time tuning.
• Durable and humidity and temperature resistant.
• This strings as all D’Addario strings are designed, engineered and manufactured in the USA to the most stringent quality controls in the industry.

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Super Sensitive – Red Label

One of the most popular brands for beginner violinist is Super Sensitive’s Red Label violin strings. These strings provide good sound quality for anyone just getting started on the violin, as they are designed specifically for students.

These strings have a solid steel core to them and are good replacement strings. Due to their multiple sizes, Super Sensitive’s brand is good for all violin sizes, including children’s violins. In terms of strings for practicing, these are the best option around, but they are not great for long-term use or for solo performances.

Key Features:

• Designed specifically for students, making them easy to install and easy to use.
• High-quality materials, making the strings more durable than other beginner violin string brands.
• Meant for musicians of all ages.
• Economically priced, making them affordable.
• Multiple sizes.

Pros:

• Easy to install.
• Good tone quality.
• Durable.
• Produce a warm tone.
• Fits on any violin size.
• Great for practicing.
• Economically priced.

Cons:

• Tend to stretch over time.
• Have been known to break when used daily for a time span of three months.
• Some users have complained that in some violins the sound is squeaky.

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Fiddlerman

Fiddlerman is a German-made violin string with a synthetic core that sounds richer than most other beginner’s violin strings. The synthetic core is a more expensive alternative to a steel core and uses Perlon, a type of nylon that is extremely durable.

By switching to a synthetic core, the strings have a smoother finish to them which can be heard in the sound quality they put out. Fiddlerman is a great beginning string, especially for those who want to test out different cores to decide their string preferences.

Key Features:

• Uses a synthetic (Perlon) core, stepping away from the steel-string.
• Sound quality is so rich it is difficult to distinguish these strings from a more professional-grade string.
• All strings in this brand have ball ends.
• Strings are the best in well-matched tone quality.

Pros:

• Synthetic core provides a richer tone than steel core
• Consistent sound.
• Takes very little time to settle
• All strings are packed carefully to avoid corrosion or any other possible damage during shipping and arrival.

Cons:

• Due to the nature of Perlon, the string can begin to unravel over time.
• Known to break often.
• Some users have complained that is some Chinese violins the “A” string sounds off-tune.

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D’Addario – Helicore

Helicore by D’Addario is the last set of violin strings we want to recommend in the beginner’s category. Among the previously mentioned set of strings, this one stands out as the best violin strings for beginners, especially those who are practicing to become intermediate violin players.

These strings have a steel core, which is fairly standard among violin strings. There are three choices for tensions, ranging from light to hard, and the most recommended for beginners is the medium tension.

The amount of versatility in these strings is perfect to help beginners find their favorite style of playing and is used by professionals and students alike, making it the perfect string to assist beginners to go into the next level of professional violin playing.

Key Features:

• All D’Addario strings are manufactured in the USA, with extreme quality control for the best sounding strings possible.
• It has a steel core that uses the stranding method, producing the highest quality for beginner violinists, and helping with durability.
• Due to its way of manufacture these strings provide versatile playability, these strings accommodate all playing styles associated with the violin.
• Their smaller size gives a great, quick response to bows.

Pros:

• Range of tensions.
• High-quality sound that is unique.
• Good bow response.
• Versatile playability.

Cons:

• D string is known to break.
• More expensive than most brands.
• Takes more time to stabilize.

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Thomastik – Infield Dominant

One of, if not the most widely used string among intermediates violin players is Thomastik’s Infield Dominant strings. These strings are excellent for experienced beginners and intermediate students.

As beginner students switch to intermediate playing, these flexible, multi-strand nylon core delivers a tone comparable in sound and feel to natural gut strings which will help the student appreciate a better tone without using cheap, scratchy strings.

A full set includes All Ball-End Aluminum/Perlon “A”, Aluminum/Perlon “D”, Silver/Perlon “G”, and Ball-End Steel “E”.

Key Features:

• These strings use coatings of aluminum and silver over a synthetic (Perlon) core, making the tone rich and warm.
• Recommended by music teachers due to the richer, warmer sound that beats out brighter violin strings.
• The material used makes them resistant to changes in temperature, humidity, and climate.
• Tonal quality is a perfect, medium balance of sound, not too harsh, and not too soft, making the playability extremely versatile.

Pros:

• Good for teaching proper violin methods.
• Richer sound than other strings.
• Music teachers recommended.
• It can be used on many types of violin, including electric.
• Incredibly easy to tune, even for beginners.

Cons:

• It can be very sensitive to set up.
• When installed the can sound metallic at first, but after the strings break in they sound warmer and fuller.

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Pirastro – Evah Pirazzi

Pirastro’s Evah Pirazzi strings claim to be the “soloist’s choice” when it comes to intermediate violin strings. These strings have a couple of variations to them, making them great for intermediates who want a specific sound to their violins.

Their core is synthetic, not steel, which warms the tone of the violin’s sound. Perfect for performances, these strings project loudly, and Pirastro has made specific strings that will produce an even louder sound than imagined.

These strings help budding violinists become expressive in their music, making it the perfect option for those seeking a unique quality to their sound.

Key Features:

• Two variations of string: E-platinum, a platinum-coated string over the synthetic core that produces an easy transition between notes and a warm sound, and the E-gold steel, coated in gold, which has a powerful, bright tone.
• The strings are not affected at all by climate, humidity, or temperature changes.
• Both loop end and ball end available on all strings in the set.

Pros:

• Great for projection purposes.
• Unique tonal quality.
• Options for the choice of string.
• Very responsive to different bow techniques.

Cons:

• More expensive than other strings.
• Quick turnaround, if used daily, they tend to become dull in 3 to 4 months.

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Pirastro – Obligato

The Obligato version of Pirastro’s synthetic violin strings is top-notch and definitely performance-ready. Intermediates who want a more classical, rich sound will love this brand, as it’s synthetic core is similar to that of a steel core but with a richer quality to the sound.

This specific string doesn’t offer the platinum or gold options, but they offer aluminum coating, “A”- chrome steel, and “D”- aluminum for the best variety of string sounds a violinist could get. These strings are recommended for any intermediate seeking to perform at a higher level.

Key Features:

• The variations in string coatings for a multitude of sounds and a unique tone.
• Synthetic core, different from the classical steel, but with classical undertones.
• Strings come in multiple sizes to fit different violins.
• These strings will give musicians a dynamic range they have never experience before with other intermediate strings.

Pros:

• Variety of sounds.
• Great for classical performing with a modern string.
• Very durable, not as breakable as some brands.
• Complex tone.
• Easy to tune.

Cons:

• On the more expensive side.
• Has a “darker” sound.
• Takes a week to take on their true sound.
• Need to be tuned quite often for the best quality.

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Thomastik – Peter Infeld

Thomastik’s Peter Infeld strings are the perfect choice for a violinist looking to have a dark, rich tone in their music. These strings are filled with emotion and character, making them great for both solo performances and orchestral work alike.

The craftsmanship is high in quality, and these strings will not disappoint. The synthetic core makes the volume and projection of these strings second to none, and they produce an extremely emotional tone. Definitely not for beginners, these are recommended for experts who want to convey a certain feeling in their music.

Key Features:

• With a synthetic core and high-quality material, these strings produce a sound that will have listeners captured in awe.
• The tone of these strings is a perfect blend of elegance and power.
• Bow response is phenomenal, with very low string resistance.
• Wide variety of metal coatings for different sounds, including platinum, silver, and aluminum.
• Offers both ball end and loop end to the strings.

Pros:

• Great for a darker tone in music.
• Easy to work with.
• Bows glide like butter across the strings.
• Long-lasting and durable.

Cons:

• Not suitable for every violin type.
• Research with your violin type required before purchase.

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Pirastro – Oliv Series

The Oliv series of Pirastro’s violin strings have an incredibly unique feature, which is the core of the string itself. These strings are handmade, and have a sheep gut core that is wound, making them perfect for violinists who prefer a Baroque set-up on their instruments.

Of all the expert strings, this series from Pirastro is by far the best and is highly recommended by many professional musicians and violin experts around the world. The strings fit well with almost any instrument and playing style, and they have a sound quality that is beyond any other brand or type of string.

Key Features:

• The Oliv series has a sheep gut core, which provides a more complex, warm tone to the sound quality of the instrument.
• These strings fit with most violin types.
• There are a variety of metal coatings for different sound options.
• Equated to an artist’s palette, these strings are said to expand the “musician’s palette.”
• Available with both the ball end and the loop end on the strings.

Pros:

• Good for Baroque style violin set-ups.
• Complex and colorful tones.
• Good for nearly all styles of violin style playing.
• Unique, set apart from all other violin strings.

Cons:

• Expensive.
• Can be affected by changes in temperature and humidity.

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Pirastro – Evah Pirazzi Gold

It’s no secret by now that Pirastro has offered some of the best violin strings to musicians, but their Evah Pirazzi Gold strings are a step above in sound quality and brightness. These strings produce a “golden” tone, much like their name would suggest.

They are great for bright, complex performances, and will not leave any violinist wanting for more. Experts who want to experience the widest range imaginable will love these strings, as they allow for a beautiful, mixed range of tones and notes that other strings cannot accomplish.

Key Features:

• The string core is a synthetic one, with multi-fiber filaments.
• These strings produce a bright, golden tone and will allow for warm tones from the very bottom of heir register, to the very top.
• Astoundingly instantaneous bow response for all notes.
• Wide range of dynamics and registers helps to allow expert violinists to explore the realms of music in a clean and easy way.

Pros:

• Wide range of dynamics and register.
• Great for projecting sound.
• Variety of metal coatings for strings.
• Great for solo performances.

Cons:

• The bright tone may not be suitable for all music types.
• Not the best for orchestral performances as they may be too overpowering.

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How to Choose the Right Violin Strings – Buyer’s Guide

Having the right set of strings paired with the right violin makes a huge difference in the sound, and as soon as you hear it you will know that it sounds perfect. The ideal string is going to depend on the instrument, the type of music being played, and your bowing style. Different strings have a different sound and playing characteristics

To select the correct set of strings for your violin there are a few things you need to know to make the right choice: string core materials, and string tension and thickness (Gauge). Let’s take a look at each one of them.

String Core Materials

There are three material from which all string cores for violins are made from. These are Solid and stranded steel core, synthetic core, and gut core.

Solid and Stranded Steel Core

As its name implies steel-core strings are made from thin single steel wire. Stranded steel core strings are made from a thin steel wire that runs throughout the entire length of the string then is wounded with metals such as silver, titanium or steel.

Steel-core strings have a thinner diameter than synthetic or gut strings, which translates in a bright accurate sound with a quick and easy bowing response.

This type of strings tends to remain in tune better than synthetic or gut core because steel is not impacted as much by changes in temperature and humidity.

Synthetic Core

This type of strings is made from synthetic man-made material such as nylon, perlon, stabilon, and Kevlar. They are constructed using strands of fibers wound with metals like silver or aluminum.

The idea behind synthetic strings is to simulate the sound delivered by gut strings while making them more resistant to corrosion, temperature and humidity changes, and better pitch stabilization after installation.

Synthetic-core strings are known for producing a wide range of tones featuring a rich, warm sound with better tone quality, and more subtle tonal effects than steel-core strings. Because of all these features, this type of strings is the most popular for violin players.

Gut Core

This type of strings were the earliest kind of strings used in violins many years ago. There were made from sheep or cows’ intestines. Gut strings are divided in plain gut or wound gut.

The process to make plain gut strings was to stretch, dry, and twist them to make the string. Wound gut strings have an inner gut core then this is wound with metals like aluminum or silver.

Even though they are the oldest kind of strings they are still used today because they can produce a unique sound that is warm, rich and very complex because overtones are produced when being played.

The cons of this type of violin string are that they don’t stay in tune for long, have a shorter lifespan and are very delicate to changes in temperature and humidity.

String Tension

The tension of a musical instrument string is defined as the stretching force along the full length of the string. String manufacturers like D’Addario determine the tension of a string by the amount of mass (material) wound on the string, as well as the frequency of vibration and string length.  

It is important to know that the tension of a string is dependent on the materials used to make the core and the metals used for the external wound. Depending on the manufacturer the tensions and gauges of strings vary. One brand’s medium tension may be significantly different from another brand’s medium tension the reason is that string tension is not standardized. 

All string brands offer their products in multiple tension grades: light, medium, and heavy.

String tension and Sound Response

The sound produced by your violin will depend on the tension and thickness of the strings being used. By choosing between light, medium, and heavy tension different sound characteristics can be achieved.

Light-Tension Strings

This string will require less tension to tune the instrument to the correct pitch. With thin gauge strings, your instrument will sound brighter and have a quicker response.

If you install light tension strings on your violin and it sounds dull or unfocused, and you see that the string is over vibrating, you should try a thicker gauge like medium tension strings. Other names used for light-tension strings are soft and dolce.

Medium-Tension Strings

These are the most popular because they deliver an even and balanced tone in the instruments where they are installed. This tension is the most recommended for beginners and intermediate players.

Heavy or High-Tension Strings

Also known as forte are made to be of a thicker gauge. They will produce a louder and fuller sound with a wide range tone but with a slower response.  By using the same bowing technique on this string as in lighter gauge strings will produce a louder sound.

Keep in mind that strings of higher tension are made from thicker gauge materials meaning that they will need more force to move them and this could be a problem if you need to play softly. They are more difficult to control than light and medium tension strings.

As mentioned previously, the only way to find out which strings produce the sound you want is by trying them. When you install a set of string you might like the sound of the E and A string from one set and the D and G string from another set, for this reason, another good idea to find your sound is to mix and match different violin strings from different brands, tensions, and core materials until you get the best sound possible.

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Frequently Asked Questions About Violin Strings

In this section, we have included some of the frequently asked questions about violin strings to help you understand better and be able to make an educated decision when choosing your next violin strings.

Which tension should I use on my violin?

If you don’t know which tension is best for your violin start with medium tension. If you are a beginner or intermediate, medium tension will work perfectly for you. But if when playing you feel that the string feels soft and the sound is dull, try heavy tension.

If using medium tension and you feel that the volume of your instrument is high, and you want easier bowing response, install a light tension set of strings. Sometimes, players that have experimented with different tensions, and different brands find out that a mix of light, medium and heavy tension strings works best for them because it gives them the tones and sound they are looking for.

What type of core do I want?

If you are a beginner violinist, you might want to start with steel or synthetic core of medium tension. It is recommended to try different brands until you find the sound you are looking for. You could also try mixing and matching different violin string sets to get the sound you like.

What notes are violin strings tuned to?

A violin has four strings. Starting from right side, the Thinnest string is E, the next one is A, the following is D, and the last one, which is the thickest and the one on the left side is G. The easiest way to tune a violin is by using a digital tuner.

Do violin strings make a difference in the sound?

Yes, strings can make a huge difference in sound. But, it is important to keep in mind that each violin is unique, it can be built by the same manufacturer or luthier but each one sounds different. A set of strings that sound good in one violin might not sound the same in another. Therefore, it’s important to try different brands of strings until you find the sound you like.

Condenser microphones offer better sound quality than dynamic microphones providing a more transparent, detailed, and fuller sound.

Professional vocalists often use this type of mic for live performances because they can capture a performance’s finest details.

In this article, we present to you the best live condenser vocal mics available in the market. Also, we have included a condenser microphone buyer’s guide with some guidelines that you need to know when selecting a condenser mic for live vocal performances.

We also answer some of the frequently asked questions about this type of microphone so that you have a better understanding of them.

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Why Use Condenser Mics for Live Performance?

A good quality, well-designed condenser capsule is naturally capable of producing a smooth response through the full frequency range, unlike dynamic mics.

The reason for this is because the capsule of a dynamic and condenser microphones are very different in design and physical characteristics.

The membrane of a dynamic mic is attached to a coil that moves inside a magnet for this reason it needs more sound energy to vibrate and capture the sound.

At higher frequencies, this limitation becomes more evident since higher frequencies have less mass in the sound moving through the air making it more difficult for the membrane to vibrate.

On the other hand, a condenser microphone’s capsule is made from two plates that are separated with a voltage between them. One of the plates is fixed while the other is made from a very thin light material that acts as a diaphragm.

When sound strikes the diaphragm, this vibrates changing the voltage between the plates creating a signal that is later amplified.

Because less sound energy is needed to vibrate the thin plate at higher frequencies, condenser microphones capture clear, crisp highs as well as lows making it very versatile in the full range of frequencies.

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Misconceptions About Using Condenser Mics for Live Performance

There are some misconceptions about condenser microphones when it comes to live performances. Many people believe that they have higher handling noise because of their highest sensitivity, but the truth is that condenser microphones have lower handling noise.

Another erroneous idea is that they feedback quicker. Feedback on a microphone has to do with frequency response, speaker and monitor placement and not by the type of microphone being used.

Of course, the polar pattern and response curve play an important role in a microphone quicker feedback but most of the time speaker placement is the main reason.

Here are a couple of detailed articles, one on how to position PA speaker and the other on how to setup stage monitors to get the best sound and avoid feedback.

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Best Live Condenser Vocal Mic Reviews

The 10 best live condenser vocal microphones available in the market today are:

1. Audio-Technica AT2010
2. AKG C5
3. Rode M2
4. Shure SM86
5. Blue enCORE 300
6. Audix VX5
7. Sennheiser e865
8. AKG C7
9. Earthworks SR40V
10. Neumann KMS 105 MT

Let’s take a closer look at each one to find out their sonic characteristics, features and more.   

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1. Audio-Technica AT2010 Cardioid Condenser Handheld Microphone

Overview

The Audio-Technica AT2010 is a handheld condenser microphone that offers studio-quality sound in live performances.

Thanks to its 16mm low-mass diaphragm you will get ultra-clear sound that is not possible to get with dynamic mics.

It is designed specifically for close-up vocal use in professional live-sound and studio applications.

Even though this is a budget microphone, vocalists have claimed that when performing using the AT2010 there is nuance and clarity in their voice that helps them to articulate and express better than when using other types of microphones. 

The AT2010 microphone requires phantom power to work.

Features

• It uses the same diaphragm found in the critically acclaimed AT2020 side-address studio microphone.
• Extended frequency response and superior transient response that delivers smooth, natural sonic characteristics.
• High SPL-handling and wide dynamic range providing unmatched versatility.
• Cardioid polar pattern reduces pickup from the sides and rear, improving its feedback resistance.
• Multi-stage grille design offers excellent protection against plosives and sibilance without compromising high-frequency clarity.
• Rugged all-metal design and construction for years of trouble-free use in live scenarios.
• Corrosion-resistant contacts from gold-plated XLRM-type connector.
• Includes Quiet-Flex stand clamp that provides silent, flexible microphone positioning.

Specifications

• Microphone Capsule Type: Condenser
• Polar Pattern: Cardioid
• Frequency Response: 40Hz to 20,000Hz
• Impedance: 100 ohms
• Maximum SPL: 136 dB
• Phantom power requirements: 48V DC, 2 mA
• Connector: 3-pin male XLR
• Weight: 8.2 oz. (233g)

Pros

• When it comes to sonic quality, the AT2010 provides a smooth frequency response with beautiful low ends and warm clean sound at mid and high frequencies. It is a very responsive microphone when used as designed for close-up vocal.

• This microphone is ideal for singers with low ranges. Bass singers tend to have low volume in the low registers, in that case by holding the mic closer it would compensate because it is designed to be used for close-up vocals.

• It offers great value for money.

• It does a good job when miking acoustic guitars.

Cons

• Although is a condenser microphone and condensers tend to be very sensitive, the AT2010 is not as sensitive as other condenser mics. This is a disadvantage if the sound source is quiet and is located more than 3 feet away.

• If the performer or vocalist has high sibilance, the mic could sound harsh on the high frequencies.

• It can rumble at high sound pressure levels.

Sound Demonstration of the AT2010

I have personally used this microphone for different purposes and from my experience, I can say that the AT2010 has smooth low and mid-frequency response combined with a crisp and clear high-end that sound good on male and female voices.

Its studio-like sound makes it ideal for live recordings as well as for recording demos in your home recording studio.

Overall, the Audio-Technica AT 2010 is a great microphone that offers great value for the price. It is also ideal for people who are looking for a decent live condenser mic and don’t have the budget for higher-end mics.

RELATED: How to EQ Live Vocals

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2. AKG C5 Handheld Condenser Microphone

Overview

The AKG C5 is a professional condenser vocal microphone that provides lots of gain before feedback ensuring that your voice will cut through the loudest mix on any stage.

That’s thanks to its cardioid polar pattern. It has been optimized to be used with in-ear monitor systems.

This microphone comes with an attachable presence boost adapter offering the unique choice of two sound flavors for a superior audio performance.

The transducer case is gold-plated protecting the capsule from corrosion and humidity. With its extremely rugged grille construction and solid die-cast housing the AKG C5 is a reliable companion for tough stage jobs.

Mainly designed for lead and backing vocals applications you will be sure to love the clear sound that this microphone can produce.

As all condenser microphones, the AKG C5 requires phantom power to work.

Features

• The condenser capsule has been specifically tailored for a detailed pickup of unique individual acoustic color.
• 24-carat gold-plated transducer case for maximum resistance to corrosion and humidity.
• It comes with an attachable unique presence boost adapter model PB 1000 that naturally boosts frequencies by 5dB between 5kHZ and 9kHz giving you a choice of two different sound flavors, also improving vocal intelligibility.
• Integrated shock absorber system effectively eliminates unwanted handling noises
• Rugged condenser microphone for vocal miking on stage.
• Extremely resilient, spring-steel wire-mesh cap for extra impact resistance.
• Built-in windscreen/pop filter for effective suppression of pop and breath noise.
• The transducer shock mount reduces handling and cable noise.
• The cardioid polar pattern is Frequency-independent for high gain before feedback.
• The microphone housing is very robust made of zinc-alloy combined with the extremely resilient spring steel grille, makes the C5 a rugged mic choice for a long stage life.

Specifications

• Microphone Capsule Type: Condenser
• Polar Pattern: Cardioid
• Frequency Response: 65Hz to 20,000Hz
• Impedance: 200 ohms
• Maximum SPL: 140 dB
• Phantom power requirements: +48VDC, 3 mA
• Connector: 3-pin male XLR
• Weight: 12.2 oz. (345g)

Pros

• The AKG C5 has been highly rated for providing a low range punch with clear mids and highs, emphasizing on the lows, ideal for singers that want a strong male vocal presence, or female vocalists that want more presence on their sound. With this mic your voice will sound bigger and mellower the closer you hold the microphone to your lips.
• A good sonic characteristic about the C5 is how the sound can change by modifying your working distance. Moving away from the microphone will produce a more reverberant, more distant sound as the microphone will pick more of the room’s reverberation.
• Moving the mic closer to your mouth, less than 2 inches will give more body to your voice and an intimate, bass-heavy sound.
• Sing to one side of the microphone or above and across of the mic’s top provides a well-balanced, natural sound.
• You can use this effect to make your voice sound aggressive, neutral, insinuating, etc. simply by changing your working distance.

Cons

• Some users have reported that if singing directly into the microphone, it can pick up excessive breath noise. Also, if a voice is to sibilant it can overemphasize “sss”, “sh”, “tch”, “p”, and “t” sounds.
• The microphone is very insensitive to off-axis sounds, meaning that if two vocalists were to sing into the microphone from an angle wider than 35 degrees, you may end up with a feedback problem.

For vocalists that are looking for a good quality live condenser microphone that is rugged on live stages yet provides clear, crisp sound, I recommend this mic.

It is also a good choice for live or home studio recordings to lay down demos with excellent results.

At this price range, the AKG C5 is an impressive microphone that makes it hard to find a better competitor. It is a mic that provides good features with a great balance between sound quality and ruggedness. 

If you are looking for a good quality live condenser microphone at an affordable price, this is a great choice.

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3. Rode M2 Handheld Condenser Microphone

Overview

The Rode M2 is a rugged handheld condenser microphone that is designed for live performances. It provides a full frequency response with a tailored-for-stage super-cardioid polar pattern that ensures less feedback at higher volumes.

The 1/2” condenser capsule is shock-mounted so that it reduces the handling noise to a minimum. The M2 is designed to offer the ruggedness and reputation of a dynamic microphone but with the sonic quality of a studio condenser mic.

The Rode M2 condenser microphone requires phantom power to work.

Features

• Small diaphragm 1/2” condenser capsule.
• Sonically tailored condenser vocal microphone for live stages.
• Feedback rejecting super-cardioid pick up pattern.
• It has an on/off switch that is lockable so that the switch can’t be moved by mistake.
• It is ergonomically designed to fit your hand comfortably.
• The body of the microphone is made of heavy-duty metal.
• Offers a high level of RF rejection
• Low handling noise.
• 10-year extended warranty when you register your microphone on Rode’s website.
• It is designed and manufactured in Australia at Rode’s manufacturing facility ensuring high-quality controls from design to manufacturing.
• It includes a zip pouch and stand mount with 3/8″ thread adapter included.

Specifications

• Microphone Capsule Type: Condenser
• Polar Pattern: super-cardioid
• Frequency Response: 25Hz to 20,000Hz
• Impedance: 50 ohms
• Maximum SPL: 141 dB
• Phantom power requirements: +48VDC, 3 mA
• Connector: 3-pin male XLR
• Weight: 10.9 oz. (308g)

Pros

• One of the things that stand out about the Rode M2 mic is how flat is its frequency response curve between 100Hz to 9kHz. The higher frequencies between 10kHz and 16kHz have a gain of only 3dB. What this translates to is a more natural sound that is not excessive in the high frequencies delivering a warmer sound with sonic characteristics similar to some of the modern ribbon microphones.
• If you have a nasal voice, raspy voice or boomy voice you could benefit from a mic with a flat frequency response curve like the M2 because the mic can flatten out the unwanted peaks of your voice producing a more natural sound.
• The super-cardioid polar pattern in the M2 has a narrower pickup angle in the front providing more rejection to ambient sound. To be more specific, it has a 120-degree coverage angle, thus significantly reducing feedback

Cons

• Some singers have reported that due to its flat response depending on the range of your voice it needs significant equalization to cut through the mix.

Rode M2 Sound Demo

Singers and presenters can benefit from the RODE M2 flat frequency response in live stages because it delivers a more natural sonic tone, as well as low feedback thanks to its narrower polar pattern.

Its price is reasonable, and this is one of the best live condenser vocal mics you can lay your hands on at this price range.

It can also be used to record your live presentations as well as for home recordings. This would make a great addition to your mic arsenal or as a first condenser microphone for vocalist.   

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4. Shure SM86 Handheld Condenser Microphone

Overview

The 2003 TEC award winner SHURE SM86 is a unidirectional, cardioid condenser microphone that brings studio-quality sound to the stage. It was designed as an extremely rugged touring mic as all the microphones in the SM line.

Its frequency response is tailored specifically for lead vocals consistently delivering great transients, balanced frequency response and wide dynamic range that translate in crisp, smooth reproduction of vocals.

This microphone is constructed with a three-point shock mount to effectively reduce handling noise, and a two-stage internal pop filter decreasing to a minimum excessive breath noise and voice sibilance.

Features

• The electret condenser capsule delivers studio-quality sound in live stages.
• Tailored frequency response for clear reproduction of vocals.
• Rugged construction withstands the rigors of touring sound.
• Thanks to its cardioid polar pattern minimizes unwanted background noise making it ideal to works well with both stage monitors and in-ear personal monitors.
• With its built-in three-point shock mount handling noise, it’s minimized.
• Two-stage pop filter reduces wind and breath noise.
• Includes storage pouch and stand clip.
• Requires +48VDC phantom power.

Specifications

• Microphone Capsule Type: Electret Condenser
• Polar Pattern: cardioid
• Frequency Response: 50Hz to 18,000Hz
• Impedance: 150 ohms
• Maximum SPL: 147 dB
• Phantom power requirements: +48VDC, 5.2 mA
• Connector: 3-pin male XLR
• Weight: 9.8 oz. (278g)

Pros

• One of the sonic characteristics of the Shure SM86 is that it has a low-frequency roll-off between 50Hz and 150Hz to counteract the proximity effect when the mic is used too close to the mouth.
• Between 2kHz and 5kHz some of the mid frequencies are boosted to provide clear vocal presence with a maximum peak of 7dB at 9kHz. Thanks to the subtle boost in the mid frequencies it delivers a sound that is warm and thick. Most condenser mics can deliver crisp sound in the higher frequencies, but the mix ends up sounding thin. The SM86 has a balance between mid and high frequencies.
• Some users have reported that it is an excellent microphone to be used for home recordings. While it is designed and tailored for vocals it has been used to mic guitars, drums and other acoustic instruments with excellent results.

Cons

• Some performers have mentioned that this microphone is better to be used indoors and not outdoors because it can pickup the noise of wind very easily if used in a windy place.

SM86 Sound Demonstration

The Shure SM86 is the condenser version of the industry-standard SM58 providing good sonic quality that delivers thick, warm clear vocals with enough punch for lower range voices without sounding harsh at higher frequencies.

It is also a great choice for female voices thanks to its mid frequencies boost delivering a sound that has enough presence to easily cut through the mix without sounding thin.

This is a great choice for churches because this microphone can be used for the worship band as well as for the spoken word and presenters in general.

If your worship services are recorded or transmitted live on the internet, with this mic you can be assured that your audience will hear a studio-quality sound.

For these and many more reasons this is one of the best live condenser vocal mics in the market today.

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5. Blue enCORE 300

Overview

The encore 300 provides you with excellent sensitivity and limited feedback problems when used on stage. This is hard to come by when choosing a microphone to be used in live environments.

When it comes to clarity, this mic cuts through the mix, bringing new life to live vocals. When comparing it to other condenser microphones in the $200 range, it delivers excellent sound, and it will easily become your go-to mic.

Each microphone will react differently depending on the room’s acoustics, cabling, preamp setup, etc. But one thing you can be sure of is that the vocal range of the enCORE 300 is spot-on.

It provides a relatively flat frequency response from 200 Hz to 5 kHz, which falls within the vocal range, making it easier for the sound engineer to fine-tune the EQ to deliver a fantastic performance.

Features

• It offers a cardioid polar pattern for maximum feedback rejection
• Premium condenser capsule hand-tuned for vocals
• The chassis is designed to maximize airflow to deliver a smooth and open sound while protecting the capsule.
• It offers a unique design that will stand out from other microphones.
• It comes bundled with a soft-grip microphone clip and a soft-lined storage pouch
• The condenser capsule is isolated from the chassis using Blue’s proprietary floating mount
• You can be sure that this mic will last, thanks to its heavy-duty metal construction.

Specifications

• Capsule Type: Condenser
• Polar Pattern: Cardioid
• Its frequency response is from 40Hz — 20kHz
• Requires Phantom Power
• The maximum Sound Pressure Level (SPL) is 146dB
• Output Impedance: 25 ohms
• Sensitivity: 11mV/PA
• Weight: 0.38 kg (0.84 lbs.)

Pros

• The enCORE 300 delivers exceptional details and dynamics.
• With this mic, it’s easy to get a clear voice as it doesn’t need too much EQ to fine-tune it
• Its top-end response is smooth, delivering enough brightness without being harsh
• The mid frequencies are relatively flat, and the lows are warm without being heavy or boomy
• This mic works well on a broad range of voices, whether it is being used by a male or female performer

Cons

• It can have some handling noise when compared to other mics in the same price range
• This microphone is a bit on the heavy side which is not a good thing, especially if you need to hold it for hours.

Keep in mind that condenser mics, in general, are more sensitive, and they can pick the most subtle nuances in vocals. What this means is that they are not as forgiving as dynamic mics.

The enCORE 300 and all mics presented in this post will pick any flaw in the performance in detail.

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6. Audix VX5 Condenser Microphone, Super-Cardioid

Overview

The Audix VX5 is a professional handheld unidirectional super-cardioid condenser microphone that is designed to be used in a wide variety of live, studio and broadcast applications.

With its smooth and accurate frequency response, this microphone is known to bring studio-quality sound to your live performance.

It is very resistant to feedback and with its 14mm small-diaphragm capsule it has the ability to handle very high sound pressure levels without distorting the sound.

Thanks to its tailored frequency response curve and high sound pressure level it can pick up the nuances of a good singer as well as handle the strong voice of a powerful singer without sounding distorted or harsh. Highly recommended for female vocals.

The VX5 is manufactured with a precision die-cast zinc alloy body, durable black electrostatic coating finish that ensures years of use even in the most demanding live stages.

Features

• Premium electret condenser capsule specially designed for use in vocals and acoustic instruments
• Smooth accurate frequency response with selectable switch for a flat response or bass roll-off.
• Selectable -10 dB or 0 dB pad (pad is an attenuator switch to decrease excessive signal coming from the microphone)
• Suited for acoustic music as well as loud stages
• Acoustically ported steel mesh screen
• 14mm gold vapor diaphragm
• Rugged die-cast zinc body
• Black satin finish
• Requires +48V phantom power
• Designed, assembled & tested in the USA
• 3-year warranty

Specifications

• Microphone Capsule Type: Pre-polarized Electret Condenser
• Polar Pattern: super-cardioid
• Frequency Response: 40 Hz to 16,500 Hz
• Impedance: 150 ohms
• Maximum SPL: 140 dB
• Phantom power requirements: +48 VDC, 3.5 mA
• Connector: 3-pin male XLR
• Weight: 8 oz. (277g)

Pros

• One feature that stands out about this mic is the ability to select between a flat response or bass roll-off. If the flat response is selected, you will get a relative horizontal frequency response between 200Hz and 2kHz. This could help people with voices that are nasal, raspy or boomy to flatten out their sound before equalization so that a more natural EQ could be performed on their voice to give it more presence.
• With the flat response switch selected the microphone can deliver detailed, ribbon-like natural vintage sound but with crisp and clear highs.
• Also, by having the flat response switch selected makes the microphone more versatile because it can be used to capture acoustic instruments such as guitar, woodwinds, brass, percussion toys, drum overheads, hi-hat, and piano.
• By selecting the bass roll-off, there will be a 10dB decrease on the frequency response between 50Hz and 500Hz which would help to counteract the proximity effect of the microphone. Just to clarify, proximity effect is an increase in the volume of bass frequencies as source sound gets close to the microphone.

Cons

• It is not as rugged as the Shure Beta 87A or the SM86.
• The pickup capsule is highly sensitive and needs to avoid extreme temperatures and moisture because it can adversely affect the sound performance.

This is one of the best live condenser vocal mic available in the market under $300. It is one of the best sounding mics that is tailored for both vocals and acoustic instruments.

It is very versatile and offers you a lot of gain before feedback thanks to its super-cardioid pattern.

The VX5 can effectively be used in studios as well as in live stages delivering crystal clear sound emphasizing on vocal nuances for experienced singers as well as capturing distortion-free performances from very loud singers.

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7. Sennheiser e865 Lead Vocal Condenser Microphone

Overview

Widely acclaimed for being sensitive to every nuance and tough on the road the SENNHEISER E865 is a professional super-cardioid condenser vocal microphone utilizing the best in condenser microphone technology to achieve high sound quality.

No matter whether it’s quiet or loud, far away or right up close: the e865 makes every sound silky smooth and warm.

The highly sensitive membrane picks up the finest vocal nuances and conveys even extreme dynamics into the signal chain with ease.

Even when the lips at some distance from the capsule, the e865 delivers consistent sound quality. It combines the professional qualities of the condenser capsule with the rugged design of the 800 series.

On the one hand, It works perfectly good for presenters and speakers that allows precise reproduction, even of plosive sounds.

Features

• High-quality condenser capsule tailored for speech and vocals.
• Supercardioid polar pattern for excellent feedback rejection.
• Natural reproduction with emphasized presence.
• Consistent sound quality (varying distances, moving off-axis).
• Distortion-free reproduction even at very high sound pressure levels.
• Optional silent on/off switch (only available on the S-version e865s)
• Low sensitivity to handling noise.
• Rugged metal housing
• Includes carrying pouch and microphone clip.

Specifications

• Microphone Capsule Type: Pre-polarized Electret Condenser
• Polar Pattern: super-cardioid
• Frequency Response: 40 Hz to 20,000 Hz
• Impedance: 200 ohms (Balanced)
• Maximum SPL: 150 dB
• Phantom power requirements: +48 VDC 3.5 mA
• Connector: 3-pin male XLR
• Weight: 11 oz. (311g)

Pros

• This microphone can deliver a crystal-clear silky-smooth tone for both male and female performers. The feedback rejection is great thanks to its super-cardioid polar pattern. Especially good for churches and houses of worship where high definition sound plays an important role in the service.
• Presenters and speakers will also benefit from this microphone thanks to its vocal tailored frequency response.
• The e865 microphone can deliver a warm smooth sound for your podcasts or video productions.
• Your voice is too loud when singing or speaking! No problem, this microphone will deliver distortion-free sound even on the loudest sound sources such as a vocalist of a metal band or a rapper.

Cons

• This microphone is not tailored to be used in acoustic instruments so basically this is not a universal mic that can be used for different purposes. It is designed to be used for vocalists, backup singers, presenters or speakers.

Vocalists can be assured that this microphone is considered as one of the best live condenser vocal mics on the market in the mid-range price.

It delivers a great crisp sound and is constructed to last a long time in even in most demanding performing stages.

At our church, there are two of these microphones and they still deliver great sound after 6 years of use.

If you are a singer, presenter, preacher, or podcast creator and are looking to buy a great handheld condenser mic, give the e865 a try, you will not regret it.

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8. AKG C7 Handheld Condenser Microphone

Overview

World-renowned microphone manufacturer AKG produces some of the best mics in the market.

Such is the case of the AKG C7 a professional handheld microphone featuring a custom-tuned super-cardioid condenser capsule that is manufactured and assembled using hand-selected components, so your voice is reproduced with natural clarity and accurate highs.

AKG has taken a different approach to reduce feedback, and to do so they have designed an innovative open-space capsule, that uses a specially designed inner-capsule holder and three window ports to reduce air turbulence and reflections at the backside of the capsule.

This creates an extremely consistent super-cardioid polar pattern throughout the entire frequency spectrum, for extraordinary feedback and spill rejection.

Extensive research was done to find the right material that has strong absorption properties to isolate the capsule from the mic’s housing. The result is a proprietary mechano-pneumatic shock absorber suspension that ensures the lowest possible handling noise.

The capsule sits on top of a unique rubber insert, preventing vibrations from the housing from reaching the capsule.

Features

• 3/4” medium size custom-tuned condenser capsule that delivers studio-quality sound in a handheld mic.
• AKG proprietary open-space capsule design providing impressive gain before feedback.
• Proprietary mechano-pneumatic shock absorber suspension to protect against handling noise.
• Multilayer pop noise protection keeps plosives at the lowest levels.
• Rugged full metal body constructed of zinc alloy with spring steel grille to ensure long life of use.
• 24-Karat gold-plated capsule for maximum resistance to corrosion and humidity.

Specifications

• Microphone Capsule Type: Pre-polarized Electret Condenser
• Polar Pattern: super-cardioid
• Frequency Response: 20 Hz to 20,000 Hz
• Impedance: 600 ohms (Balanced)
• Maximum SPL: 150 dB
• Phantom power requirements: +48 VDC 3.5 mA
• Connector: 3-pin male XLR
• Weight: 11.2 oz. (317g)

Pros

• The AKG C7 has been designed to deliver precise sound. The high frequencies never sound harsh or too bright, the mid frequencies capture a warm sound and the bass doesn’t sound boomy.
• The frequency response curve clearly shows a flat response between 200Hz and 2000Hz with a slight increase between 2500Hz and 5000Hz. At 10kHz there is a gain of 6dB. From there the frequency rolls off towards 20Khz.
• What this means in terms of sound is that with the C7 your voice is captured and sent to the mixing board or interface very natural and precise. It needs very little equalization which translates to more real and natural performance.
• Some microphones exaggerate the highs or are too strong in the lows, this is not the case with the C7, it is very consistent through the full range. Highly recommended for people with soft voices where nuance is required.
• Thanks to its high sound pressure levels it can be used for singer with strong voices as well such as sopranos, tenors, or baritones, but the singer should be aware that when singing they should change the distance between the mouth and microphone so that the dynamics of your voice is not affected by the proximity effect. 

Cons

• Might not suit every vocalist, if you don’t like flat sound you might want to consider something else. But keep in mind that if you get a flat response from a microphone it is possible to adjust it with EQ.

The AKG C7 is hailed by many singers as one of the best live condenser vocal mic available in the market, it has many good features and you can be assured that the rugged build quality will withstand the abuse of live stages.

The sonic characteristics will meet or exceed your expectations thanks to its very carful design taking into consideration many factors.

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9. Earthworks SR40V

Overview

Getting a consistent vocal sound in any venue is not an easy task because many factors can affect the performance. The same EQ that works perfectly well in one venue could be a nightmare on the next.

One thing that helps to get consistent sound is using a microphone that doesn’t add coloration to whatever is placed in front of it.

You want a mic that is as flat as it can be so that you decide the coloration and EQ depending on the venue where you are performing.

Of course, the EQ will be different each time, but you can fine-tune the equalization until your sound is consistent by starting with a flat response.

The Earthworks SR40V provides you with just that. Its frequency response is so flat that it is almost unbelievable. From 100 Hz to 20 kHz, it is as neutral as it can be, enabling you to EQ your vocals to precisely what you want.

Features

• It offers an almost perfect hypercardioid polar pattern that is very consistent, which helps to avoid feedback problems on stage
• The SR40V is phase and time coherent, meaning that the source’s sound and the signal coming out of the mic are identical waveforms with no time discrepancies. This makes it ideal for performers that use in-ear monitoring systems
• It delivers lightning-speed transient response making it a high-speed microphone. In case you don’t know, the transient response is how fast a microphone diaphragm responds to fast peaks in sound. The Earthwork SR40V delivers the fastest transient response of any vocal mic available in the market today
• Thanks to its flat response, the front of house engineer has a clean canvas to add the necessary sound coloring and deliver a spotless EQ depending on the voice that’s put in front of it
• Works great for female singers and males with tenor voices. Because condenser mics are usually boosted on the higher frequencies to provide clarity, the end result can be a harsh sound if you have a bright voice. The SR40V doesn’t boost the high-end frequencies, making it the perfect choice for voices that tend to be excessive on the higher end frequencies
• The chassis is made from stainless steel to ensure long life operation
• It comes bundled with a microphone clip and a protective fabric bag
• Each capsule and output circuitry are handcrafted and matched to deliver high-definition detail and optimum performance

Specifications

• Frequency Response: 20Hz – 40kHz
• Polar Pattern: Cardioid
• Sensitivity: 10mV/Pa (-40dBV/Pa)
• Requires Phantom Power
• Maximum input Sound Pressure Level (SPL): 145dB
• Output connector: XLR-3M
• Minimum Output Load 600Ω, balanced between pins 2 & 3
• Dimensions Length: 7.25 in. (184mm), Max dia: 1.95 in. (55.3mm), Min dia: .97 in. (27.5mm)
• Weight: 0.80lb (363g)

Pros

• It picks EXACTLY what it’s put in front of it
• Works great for recording as well
• Thanks to its polar pattern, it does pick surrounding sounds, making it perfect for live environments
• It was designed for vocals delivering an excellent response.
• People with bright voices will sound beautifully with this microphone because it doesn’t boost the high-end frequencies by nature.
• Made in the USA with high-quality standards

Cons

• It’s a bit pricey, but if you want high quality live vocals, you need to spend the money

Earthworks SR40V Sound Demostration

With the Earthworks SR40V, you will get studio-like quality sound in live performances, making your audience appreciate the performance’s nuances and crisp detail.

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10. Neumann KMS 105 MT Condenser Microphone.

Overview

The Neumann KMS 105 is at the top of our list as the best professional live condenser vocal mic. It delivers Neumann studio sound quality on a live stage.

It is equipped with top of the line electronic components starting with its precision manufactured condenser capsule using only the best of materials. It has a slick luxurious look and is lightweight.

The microphone is very rugged built to withstand live stages. It has a thick-walled metal housing that protects the internal circuitry and a head grille made of hardened steel that features a carefully designed multi-level pop filter made of wire gauze.

Unlike regular microphones that use foam as a pop filter causing vocals to sound opaque and foggy, the KMS 105 acoustic filter doesn’t cause any sibilance problems or compromise the capsule’s directivity.

The impedance matching on this microphone is done electronically, making it transformerless, reducing electromagnetic interference, thus eliminating hum noises.

Thanks to its very low output impedance if you need a long cable run up to 1000 ft (300 m) there will be no transmission losses.

Features

• Precision condenser capsule for crystal clear vocal sound.
• Transformerless output for less electromagnetic interference and hum noise.
• Very low impedance for long cable runs without loss.
• Neumann studio-quality sound for vocals or speech on a live stage.
• Without off-axis coloration
• Supercardioid polar pattern for exceptional feedback rejection and off-axis coloration
• Effective pop shielding without losing sound quality
• Includes nylon carrying bag and stand mount.
• Requires +48V phantom power
• Capable of handling extreme sound pressure levels
• Rugged construction
• Built-in pop screen
• Very low handling noise

Specifications

• Microphone Capsule Type: Pre-polarized Electret Condenser
• Polar Pattern: super-cardioid
• Frequency Response: 20 Hz to 20,000 Hz
• Impedance: 50 ohms (Balanced)
• Maximum SPL: 150 dB
• Phantom power requirements: +48 VDC 3.5 mA
• Connector: 3-pin male XLR
• Weight: 10.6 oz. (300g)

Pros

• When it comes to the sound characteristics of the Neumann KSM 105 it has a low-frequency roll-off starting at 200 Hz and decreasing towards 0 dB at 50 Hz. What this means in simple English is that this microphone decreases the bass sound if you sing close to it resulting in a clean
• It has an extremely flat response from 200 Hz to 2 kHz and a delicate increase of less than 2 dB between 2kHz and 5Khz producing natural sound capturing the nuance in the performance.
• Thanks to its sensitive diaphragm it can capture a vastly superior transient response resulting in a more immediate, more emotional vocal sound.
• Just to clarify, the transient response of a microphone is how fast can the membrane or diaphragm responds to a high peak of sound in a short duration. An easy example of a high-level peak sound could be a hand-clap. A condenser microphone has a very fast transient response, unlike dynamic microphones that have a heavier membrane which slows down its response.
• Out of many reviews, 98% give it 5/5 stars from professional to beginner singers. Ideal to be used for soloist in bands, churches, houses of worship, etc.
• The KMS 105 is designed to be used as a vocal microphone but thanks to its frequency response, wide dynamic range, and high sound pressure level it can be used for other stage applications such as percussion, saxophone, trumpet, trombone, harmonica, acoustic guitar, and guitar cabinets.
• Its superior sound quality makes this microphone also a great choice for home recording studios and broadcast applications. Thanks to its optimized close mic placement and low proximity effect, the KMS 105 will pick up a dry sound with very little ambiance, which is a big advantage in untreated rooms.

Cons

• Very few people have reported that depending on the stage it could feedback easily. This can be argued because monitor placement plays an important role in the microphone’s feedback.

• The price tag is high, some users have argued that there could be a cheaper mic with the same sonic characteristics.

Neumann KSM 105 Sound Demonstration

The Neumann KSM 105 is the best professional live condenser vocal mic delivering studio-quality sound in live stages.

Thanks to its frequency response, dynamic range and high SPL this mic can be also used for miking many acoustic instruments with excellent results.

If the price tag is within your budget, I highly recommend this microphone for a female or male vocalist who wants a clear, crisp, uncolored sound that is very sensitive to vocal nuance as well as very responsive transients.

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Best Live Condenser Vocal Microphone – Buyer’s Guide

When selecting a condenser mic for live performances there are few aspects that need to be taken into consideration, these aspects are polar pattern, frequency response and response curve, maximum sound pressure level or SPL.

Let’s take a closer look at each one of them.

Polar Pattern

The polar pattern of a microphone is basically a representation of how well a mic can pick up the sound coming at it from different directions. This is also called directionality.

We are used to seeing polar patterns in brochures and manuals as two-dimensional characteristics, but they are three-dimensional.

There are 7 polar patterns: omnidirectional, cardioid, subcardioid, super-cardioid, hyper-cardioid, bi-directional, and shotgun.

Which one would be the best polar pattern for live condenser vocal microphones? let’s look at each one of them to answer this question.

Omnidirectional

This type of microphone can pickup sound from all directions having equal sensitivity at every angle. It has a 360-degree coverage angle and 100% ambient sound sensitivity.

This is disadvantageous in live stages since they are easier to feedback because the microphone can’t be aimed away from loudspeakers.

Cardioid

Microphones with this pattern are most sensitive in front and less sensitive in the back making it ideal for live stages where there is some noise in the background.

It has a 131-degree coverage angle and 33% ambient sound sensitivity. They are less prone to feedback due to these characteristics. This type of pattern is the most common in live stages.

Subcardioid

This pattern has a wider coverage angle and a higher percentage of ambient sound sensitivity, basically falling in between omnidirectional and cardioid polar patterns.

For these characteristics, microphones with this polar pattern don’t perform well in live situations, especially if using condenser capsules.

Supercardioid

A microphone with this polar pattern has a narrower pickup angle in the front providing more rejection to ambient sound.

To be more specific, it has a 115-degree coverage angle and 27% ambient sound sensitivity. These characteristics make it ideal for a live condenser vocal microphone.

Hypercardioid

This pattern has a narrower pickup angle than super-cardioid rejecting more ambient sound and reducing feedback. It has a 105-degree coverage angle and 25% ambient sound sensitivity.

These polar characteristics make it also ideal for live condenser vocal microphone.

Bidirectional

This polar pattern I also known as figure 8, and basically it picks up the sound from both the front and the rear. It has a 90-degree coverage angle and 33% ambient sound sensitivity.

This pattern is not recommended for live condenser vocal microphones, they are mostly found in ribbon mics, and large-diaphragm studio mics used for specific purposes.

Shotgun

Also known as lobar polar pattern this would be the narrower of all making it the most highly directional mic rejecting sounds from other directions.

This type of microphone is mostly used in tv recording, film sets. Definitely not intended to be used for live vocal purposes.

In summary, when choosing a live condenser vocal mic, you want to select one that is either cardioid, super-cardioid, or hyper-cardioid. But the most recommended for live condenser mics are super-cardioid and hyper-cardioid, these polar patterns perform well in live stages.

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Frequency Response and Response Curve.

When selecting a microphone, it is important to know its frequency response. Most modern microphones have a frequency response between 20HZ and 20kHz. But this information is not enough because this only tells one side of the story.

We need to know how a microphone performs over the full frequency range. This is where the response curve comes in. The graph shows you how a specific microphone performs at all frequencies between 20Hz and 20kHz.

A microphone’s frequency response measures the intensity of sound at each frequency and it is measured in dB (decibels). It starts at 0dB on the lowest frequencies (less than 20Hz) and drops back to 0dB at the highest frequencies (above 20kHz).

It should be noted in the response curve that depending on where the peaks or higher intensity of sound are throughout the frequency response is what gives a certain sound characteristic to a mic and what makes a microphone suitable for a specific purpose

For example, a mic intended for vocals should have a relatively smooth response in the mid frequencies with a subtle spike in the upper midrange frequencies resulting in smoother reproduction of voices.

Maximum Sound Pressure Level or SPL.

The maximum sound pressure level or Max SPL for short is the maximum volume a mic can withstand without starting to distort the sound. It is measured in dB (decibels).

Most modern condenser or dynamic microphones range between 100dB – 150dB. When choosing the best live condenser vocal mic make sure that it falls between that range. 

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Frequently Asked Questions About Condenser Microphones

Can you use a condenser mic for live vocals?

Yes, condenser microphones can be used for live vocals. They are actually a good choice if you want detailed and clear sound from your vocals.

For experienced singers and vocalist, condenser mics are a popular choice but keep in mind that because they provide clearer sound this type of microphones are less forgiven with inexperienced vocalists.

Are condenser mics good for live performance?

Yes, condenser mics are good for live performance because they can capture clearer, detailed, and fuller sound. This type of mic is often used in live performances for vocals because they can capture the finest details in performances.

What type of microphone is best for live vocals?

For live vocals there is no such thing as the best one, as the idea of one size fits all. It all comes down to the sound tone you want, the environment where you are performing and mic that better captures your voice.

If you want clear high definition sound a condenser could be the right one for you. If you want a vintage sound, a ribbon mic would give you that result. If you want a microphone that reproduces transients less accurately then a dynamic would be the best choice.

Are condenser mics better than dynamic?

Not necessarily. Condensers and dynamic microphones are two different types of microphones. Each one has unique sonic characteristics. It all comes down to the kind of sound you are looking for.

If you want a crisp, clear sound and be able to pick up the finest details of the performance, then you should choose a condenser mic.

If you want a sound that delivers a clear upper midrange warm sound, then a dynamic microphone like the Shure SM58 should be your choice.

Is the SM58 a condenser mic?

No, the Shure SM58 is a dynamic microphone that provides good sound quality. They are also known to be very robust. It is one of the industry standards when it comes to live performance.

Does a condenser mic need phantom power?

Yes, all condenser mics need phantom power to work. Phantom power is +48VDC provided by the mixing console, mic preamp, or audio interface. This voltage is needed so that the internal circuitry in the mic can function.

What polar pattern is best for vocals?

The best polar pattern for vocals is cardioid and it is also the most popular. But keep in mind that a polar pattern should be chosen depending on the environment where you are performing and on the results you want.

For example, if you are singing in a live stage where there are many instruments, speaker monitors and other vocalists, the best choice would be a super-cardioid or hyper-cardioid. The reason is because these two patterns have a narrow pick up angle and more rejection to ambient sound which translates in less noise and less feedback.

Microphones are one of the most important elements in your home recording studio and sometimes it can be very difficult to pick out the right microphone for your recording needs, especially if you are recording Rap vocals.

Rode produces many different types of microphones and each one is tailored for a specific sonic characteristic.

So, which one is the best Rode microphone for rap vocals? The short answer is the Rode NT1A.

In this article, I will be showing you the reasons why the Rode NT1A condenser microphone is the best Rode mic for recording rap vocals. We also take a look at some of the features and specifications that need to be considered when selecting a microphone for recording rap vocals.

Overview

The beauty of this microphone is that it reproduces what you put in front of it, delivering the warmth and extended dynamic range that produces clear vocal recordings.

There are many condenser microphones out there that are of good quality but the Rode NT1A was designed to be used as a microphone for vocal recordings.

Another thing to keep in mind is that Rode produces all its microphones and components in-house, meaning that there is an unmatched quality control from design to manufacturing.

The NT1A and all Rode microphones and designed and manufactured in Australia.

Another plus about choosing this microphone other than for its great sonic quality is that Rode offers a 1-year warranty with a free extension to 10 years by registering the product on their website.

This is a product that you can buy with confidence because the manufacturer is so sure about its quality that is backed up with an extended 10-year warranty.

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What’s in the Package

The NT1-A is a complete vocal recording solution. The package includes the NT1-A mic, a studio-grade pop filter with shock mount, a premium 20-feet microphone cable, dust cover, and an instructional DVD packed with recording tips.

Pros of the NT1A:

• Large 1” capsule with a gold-plated diaphragm.
• Cardioid polar pattern.
• Very low self-noise of only 5dB.
• Wide dynamic range.
• Ultra-low noise, transformerless surface mount circuitry.
• Internal capsule shock mounting.
• 10-year extended warranty when you register your microphone on Rode’s website.
• Comes bundled with accessories.

Cons of the NT1A:

• Some users have complained that it is sibilant making a hissing sound on the high frequencies.
• Could be heavy on the lower frequencies

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Features to Consider when Selecting a Microphone for Recording Rap Vocals.

There are a few specifications that you should keep in mind when selecting a microphone for vocal recordings. The capsule size or diaphragm, polar pattern, frequency response, and maximum Sound Pressure Level or SPL.

Capsule Size or Diaphragm

There are small and large-diaphragm sizes. When choosing a condenser microphone for recording vocals, make sure you chose one with a large diaphragm.

A diaphragm is considered large if its capsule is 1 inch in diameter. A small microphone diaphragm is a ½ inch in diameter.

Medium diaphragm microphones have a capsule that is between 5/8 to 3/4 of an inch in diameter such as the Rode NT3 and AKG C100.

Large vs Small Diaphragm Microphones

Small diaphragm mics are preferred by producers and sound engineers to record instruments such as piano, violins, acoustic guitars, string ensembles, and choirs.

The reason for this is that they have lower sensitivity, higher sound pressure levels, and a higher dynamic range.

Large-diaphragm microphones are great if you want a big and warm sound. They have high sensitivity, lower sound pressure level capability, and a lower dynamic range. Making a large diaphragm the best choice for recording rap vocals.

Home producers and professional studios prefer large capsules for vocal recordings because it adds richness to the sound and accentuates the low frequencies giving you a professional record quality.

The Rode NT1A has a large diaphragm that it’s 1” in diameter. This microphone delivers a warmer sound around the low frequencies making it a perfect choice that delivers professional rap vocal recordings at an affordable price.

Polar Pattern

There are different microphone polar patterns, these are omnidirectional, sub-cardioid, cardioid, super-cardioid, hyper-cardioid, bi-directional, and shotgun.

The most common is cardioid. Most vocal microphones have this type of pattern. Also known as the heart-shaped pattern, cardioid basically picks up what is in front of it, reducing its sensitivity on the sides and in the back.

When using microphones that are very sensitive such as large-diaphragm capsules, it is ideal to use a cardioid polar pattern, because this reduces noise in recordings.

The Rode NT1A is a cardioid microphone, making it one of the best mics for recording rap vocals. You can check the current price on Amazon.

Frequency Response

When selecting a microphone, it is important to make sure that it can pick up a wide range of frequencies.

Most condenser mics have a frequency response that goes from 20Hz to 20kHz.

A healthy young person can hear from 15Hz up to 18kHz. So, whatever the microphone picks while recording it is going to be within the human hearing range or in some cases exceed our hearing capability.

The NT1A has a frequency range from 20Hz – 20kHz providing a wide range for picking up clear vocal recordings.

Maximum Sound Pressure Level or SPL.

A typical specification for microphones is the max SPL. This indicates the highest sound pressure level a mic can handle before distorting the sound.

In simpler words, it’s a measure of the highest volume the mic can support before sounding distorted.

This is measured in decibels, the higher the number the more SPL the mic can handle.

The max SPL for the Rode NT1A is 137dB. This is around what most modern condenser microphones can handle.

Any rapper can be confident that if recording with this microphone and using the correct preamp and audio interface, your home studio recordings will be of professional quality.

Connection and Power Requirements

All condenser microphones require 48 volts to function, this is called Phantom Power.  Most modern audio mixers, preamps, and interfaces include the 48 volts supply for condenser mics.

Most condenser microphones connect to the audio mixer, preamp, or interface using an XLR connection. This cable feeds the voltage to the mic and brings the captured signal to the board.

Some condenser mics use a USB port to connect to a computer. This USB cable feeds the needed voltage to make the microphone work and brings the digital signal back to the computer to be recorded.

If you are planning to create a high-quality recording, it’s not recommended to use a USB microphone.

It is much better to use a good quality microphone with a preamp and an interface to create studio-quality sound at an affordable price. 

To learn more about mic preamps for vocals and know which one would be the best for your rap recordings, make sure to check this article.

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Conclusion

If you are in the market for the best rode mic for rap vocals, make no mistake and choose the Rode NT1-A. It has become an industry-standard providing warm sound, extended dynamic range, clarity, and high SPL capability usually only featured by some of the most expensive microphones but at a fraction of the price.

This microphone has been in the market for several years and anyone who has used it in the studio can agree that it is a good microphone for vocals, especially in high SPL cases such as when recording rap vocals.